This title, first published in 1988, examines the influence of the
Jacobean masque on the plays of Francis Beaumont and John Fletcher.
The author examines the ways in which the plays of Beaumont and
Fletcher represent not only a great expression of human emotion,
but how they are also a fine example of the growth and change of
dramatic form. This title will be of interest to students of drama,
literature and performance studies.
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