The Bayeux Tapestry has long been recognized as one of the most
problematical historical documents of the Norman Conquest of
England in 1066. More than a reinterpretation of the historical
evidence, Suzanne Lewis's study explores the visual and textual
strategies that have made the Bayeux Tapestry's narrative such a
powerful experience for audiences over the centuries. The Rhetoric
of Power focuses on how the Tapestry tells its story and how it
shapes the responses of reader-viewers. This involves a detailed
analysis of the way the visual narrative draws on diverse literary
genres to establish the cultural resonance of the story it tells.
The material is organized into self-contained yet cross-referencing
episodes that not only portray the events of the Conquest but
locate those events within the ideological codes of Norman
feudalism. Lewis's analysis conveys how the whole 232-foot tapestry
would have operated as a complex cultural 'fiction' comparable to
modern cinema.
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