For many today Johann Sebastian Bach and Wolfgang Amadeus Mozart
stand as towering representatives of European music of the
eighteenth century, composers whose works reflect intellectual,
religious, and aesthetic trends of the period. Research on their
compositions continues in many ways to shape our broader
understanding of eighteenth-century musical thought and its
contexts. This collection of essays by leading authorities in the
field offers a variety of new perspectives on the two composers, as
well as some of their important contemporaries, Haydn in
particular. Addressing topics as diverse as the historiography of
eighteenth-century music, concepts of time and musical form, the
idea of the musical work and its relation to publishing practices,
compositional process, and performance practice, these essays
together constitute a major contribution to eighteenth-century
studies.
This book had its origin in a conference that took place at the
Music Department of Harvard University on September 23 25, 2005, to
honor Professor Christoph Wolff, Adams University Professor at
Harvard University.
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