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The Melancholy Lens - Loss and Mourning in American Avant-Garde Cinema (Paperback) Loot Price: R1,081
Discovery Miles 10 810
The Melancholy Lens - Loss and Mourning in American Avant-Garde Cinema (Paperback): Tony Pipolo

The Melancholy Lens - Loss and Mourning in American Avant-Garde Cinema (Paperback)

Tony Pipolo

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Loot Price R1,081 Discovery Miles 10 810 | Repayment Terms: R101 pm x 12*

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The prevalence of loss and mourning, and of charged relationships with parents or parental figures has had a surprising influence on several American avant-garde filmmakers' work . To date, however, little attention has been given to these themes. In The Melancholy Lens, author Tony Pipolo offers a detailed look at the significant role of underlying biographical and psychological factors in specific works by leading avant-garde filmmakers. Covering a range of filmmakers including Maya Deren, Stan Brakhage, Gregory Markopoulos, Robert Beavers, Ken Jacobs, and Ernie Gehr, The Melancholy Lens takes a sensitive approach to understand the motivations of each filmmaker as related to a given work. Pipolo argues, for example, that the work of Deren and Brakhage lends itself to a more aggressive appreciation of psychoanalytic principles. The Deren films studied-Meshes of the Afternoon, At Land, and Ritual in Transfigured Time-are read as varying responses to the death of her father, with whom she had a strained relationship. Tortured Dust-the final film Brakhage made about his first family-was, by his own account, a work of contention and desperation. The elusiveness of Gregory Markopoulos' The Mysteries cannot conceal its naked obsession with death any more than it can diminish the film's poignancy. Robert Beavers' Sotiros is an especially rich and vivid exposure of a vulnerable chapter in the filmmakers's life. In the final two chapters on Ken Jacobs and Ernie Gehr, Pipolo looks outward for artistic motivation to show how both filmmakers' fascination with the history of film and video manifests as a melancholic view of greater history in their work. In the afterword, the author considers later figures whose work is kindred to the theme of this book, among them Nathaniel Dorsky, Phil Solomon, David Gatten, and Lewis Klahr.

General

Imprint: Oxford UniversityPress
Country of origin: United States
Release date: September 2021
Authors: Tony Pipolo (Professor Emeritus of Film and Literature)
Dimensions: 234 x 157 x 13mm (L x W x T)
Format: Paperback
Pages: 208
ISBN-13: 978-0-19-755117-2
Categories: Books > Arts & Architecture > Performing arts > Individual actors & performers
Books > Arts & Architecture > Performing arts > Television
Books > Reference & Interdisciplinary > Communication studies > Media studies
Books > Arts & Architecture > Performing arts > Films, cinema > Individual film directors, film-makers
Books > Social sciences > Sociology, social studies > Social issues > General
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LSN: 0-19-755117-3
Barcode: 9780197551172

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