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Science, Politics, and Friendship in the Works of Thomas Lovell Beddoes (Hardcover)
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Science, Politics, and Friendship in the Works of Thomas Lovell Beddoes (Hardcover)
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This study revaluates the work of the scientist and radical, poet
and dramatist and English exile in Germany Thomas Lovell Beddoes
(1803-1849). While his writing has elicited high praise from poets
ranging from Robert Browning through Ezra Pound to John Ashbery,
scholars have frequently neglected it on grounds of its purportedly
morbid and opaque eccentricity. Countering this scholarly
perception, this book deftly relocates Beddoes's poetry, drama and
prose at the centre of Anglo-German debates on aesthetics and life
science, politics and theatre in an early nineteenth-century
European context. Aided by his letters from Germany, the book
re-creates the intercultural discursive universe in which Beddoes
easily moves from Shakespeare's plays or the aesthetic experiments
of Shelley and his circle to Goethe and to topics debated among
Heinrich Heine and the Jungdeutschen, from the most advanced
contemporary scientific research to the post-Napoleonic politics of
the German radical students' organisations, and from Byron, Baillie
and London's illegitimate theatre to Schiller's and Tieck's highly
charged reflections on male-male friendship. The study combines
historicist strategies with theories of performance,
performativity, and visuality as it focuses, in particular, on
Beddoes's major and defining work, Death's Jest-Book, first
completed in 1829 and published posthumously after much revision in
1850. This study shows how Death's Jest Book, as both drama and
poetry, devises complex perspectives on scientifically inspired
notions of 'life' and history, how it forges a radical vision for
post-Napoleonic Europe and how it links this vision to a daring
conception of desiring, gendered selves. The book pays close
attention to the dialogue Beddoes's writing maintains with Early
Modern literature, and it highlights the proto-modernist features
that link his work to that of Buchner, Grabbe and a European
theatre avant-garde. This innovative study of Beddoes's work,
cutting across current investigations into politics, gender, and
science in intercultural Romantic Studies should be of interest to
scholars and students of British Romantic and Victorian studies as
well as of German Vormarz studies, and to students and scholars of
drama and theatre as well as Queer studies.
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