Books > Language & Literature > Literature: history & criticism > Plays & playwrights > 16th to 18th centuries > Shakespeare studies & criticism
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The Connell Guide To Shakespeare's King Lear (Paperback)
Loot Price: R287
Discovery Miles 2 870
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The Connell Guide To Shakespeare's King Lear (Paperback)
Series: The Connell Guide To ...
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Loot Price R287
Discovery Miles 2 870
Expected to ship within 12 - 17 working days
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Lear is too much. There's too much to stomach, an overdoing of
massive wickednesses which rightly provoked perhaps the most famous
reaction to King Lear ever, Dr Samuel Johnson's horror in his
Prefaces to his Shakespeare (1765) over the blinding of Gloucester
-"an act too horrid to be endured in dramatick exhibition" - and
the death of Cordelia: "contrary to the natural ideas of justice,
to the hope of the reader, and, what is yet more strange, to the
faith of the chronicles". There are indeed just too many awful
enhancements of the Lear stories Shakespeare drew on, a superfluity
of terrible things - and of course these, as Valentine Cunningham
says, are uneasily central to a play which teaches the immorality
of the well-off having a "superflux" of money and things when the
poor have so little. So what explains the dramatic success of Lear?
The great critic A.C. Bradley had grave reservations about it, but
he conceded, this play was the "fullest revelation of Shakespeare's
power" - up there with Aeschylus's Prometheus Bound, Dante's Divine
Comedy, Beethoven's symphonies and Michelangelo's statues; the most
moving and daunting of tragic experiences the world has ever known
promoted by a greatly trashy plot, or, as the poet and critic D. J.
Enright puts in his lively book about teaching Shakespeare,
Shakespeare and the Students (1970): "It is possible that
Shakespeare never did anything more awe-inspiring, more
improbable-seeming than this - to take a petulant old retired
monarch, drive him mad and stick flowers in his hair, and still end
with a figure of tragedy."
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