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Nightsong - Performance, Power, and Practice in South Africa (Hardcover, 2nd ed.)
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Nightsong - Performance, Power, and Practice in South Africa (Hardcover, 2nd ed.)
Series: Chicago Studies in Ethnomusicology CSE
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First popularized by Ladysmith Black Mambazo and Paul Simon, the a
cappella music known as isicathamiya has become internationally
celebrated as one of South Africa's most vibrant and distinct
performance traditions. But Ladysmith Black Mambazo is only one of
hundreds of choirs that perform nightsongs during weekly all-night
competitions in South Africa's cities. Veit Erlmann provides the
first comprehensive interpretation of isicathamiya performance
practice and its relation to the culture and consciousness of the
Zulu migrant laborers who largely compose its choirs. In songs and
dances, the performers oppose the class and racial oppression that
reduces them to labor units. At the same time, Erlmann argues, the
performers rework dominant images to symbolically reconstruct their
home, an imagined world of Zulu rural tradition and identity. By
contrasting the live performance of isicathamiya to its
reproduction in mass media, recordings, and international concerts,
Erlmann addresses important issues in performance studies and
anthropology, and looks to the future of isicathamiya live
performance in the new South Africa. Featuring an Introduction by
Joseph Shabalala, the lead singer and founder of Ladysmith Black
Mambazo, this book will be essential reading for anyone interested
in the study of music, performance, popular culture, or South
Africa.
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