This is the first volume devoted to the aesthetics of the Graz
school. V. Raspa s introduction gives an outline of the aesthetic
themes and exponents of the school. D. Jacquette argues for a
Meinongian subjectivistic aesthetic value theory. B. Langlet deals
with aesthetic properties and emotions. Ch.G. Allesch presents
Witasek's aesthetics in its historical context. I. Vendrell Ferran
investigates the aesthetic experience and quasi-feelings in
Meinong, Witasek, Saxinger and Schwarz. R. Martinelli illustrates
the musical aesthetics of Ehrenfels, Hofler and Witasek. P. Mahr
asks if object-theoretical aesthetics is possible at all. M. Potrc
and V. Strahovnik concentrate on Veber's aesthetic judgment. N.
Dolcini deals with the migration of ficta, and F. Orilia with words
and pictures in fictional stories."
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