Since turning to the field of Jewish art over twenty years ago,
Vivian Mann has concentrated on investigating Jewish ceremonial art
within the dual contexts of Jewish law, and the history of
decorative arts in general, including the ceremonial art made for
the Church and the Mosque. The introduction to this volume
considers classic rabbinic attitudes toward art and its
relationship to spirituality. The remaining essays are divided into
three groups: the first concerns medieval ceremonial art; the
second, articles on the Jewish art of Muslim lands beginning with
the early Middle Ages; and the third consists of essays on Judaica
during the periods of the Renaissance and rococo.
General
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