This edition seeks to evaluate "Antonio's Revenge" not merely as a
literary text but as a drama for a particular company, in a
specific theatre. The scholarly introduction explores the high
degree of originality in Marston's dramatic techniques and
establishes him as a leading innovator in both the language and the
dramaturgy of his day. Ostensibly the second part of "Antonio and
Mellida," a satiric romance published in 1599, "Antonio's Revenge"
differs in both theme and linguistic style. Reavley Gair offers an
insightful analysis of the play's relationship with Shakespeare's
"Hamlet" --written at about the same time--and a new interpretation
of the relations between dramatic companies at the Globe and the
Paul's Theatre.
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