"A remarkably rich and provocative set of essays on the virtually
infinite kinds of meanings generated by images in both the verbal
and visual arts. Ranging from Michelangelo to Velazquez and
Delacroix, from the art of the emblem book to the history of
photography and film, "The Language of Images" offers at once new
ways of thinking about the inexhaustibly complex relation between
verbal and iconic representation."--James A. W. Heffernan,
Dartmouth College
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