Point and Line to Plane can be seen as a continuation of Wassily
Kandinsky's seminal treatise On the Spiritual in Art. Kandinsky's
thesis is that different constellations of point, line and surface
have different emotional effects on the viewer. Starting from the
point (which represents the most concentrated and minimal graphic
form), he understands all painterly forms as being a play of forces
and counterforces: of contrasts.
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