The harp is both the oldest and the newest of instruments. It
has existed in some form in nearly all cultures since man has made
music. The contemporary concert instrument has been known since the
mid-19th century. This work is a compendium of the biographies of
many notable harpists of the modern era. The biographies make clear
how these performers shaped the contrasts in style and technique of
harp playing that have developed over the past 150 years, as
cultural, social, and psychological forces influenced individual
performance. In addition to the biographical information, the A-Z
entries include critical reviews, discographies, and selected
bibliographies where possible. New material from the former Soviet
states is included.
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