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Industry - Bang on a Can and New Music in the Marketplace (Hardcover)
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Industry - Bang on a Can and New Music in the Marketplace (Hardcover)
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Amidst the heated fray of the Culture Wars emerged a scrappy
festival in downtown New York City called Bang on a Can. Presenting
eclectic, irreverent marathons of experimental music in crumbling
venues on the Lower East Side, Bang on a Can sold out concerts for
a genre that had been long considered box office poison. Through
the 1980s and 1990s, three young, visionary composers-David Lang,
Michael Gordon, and Julia Wolfe-nurtured Bang on a Can into a
multifaceted organization with a major record deal, a virtuosic
in-house ensemble, and a seat at the table at Lincoln Center, and
in the process changed the landscape of avant-garde music in the
United States. Bang on a Can captured a new public for new music.
But they did not do so alone. As the twentieth century came to a
close, the world of American composition pivoted away from the
insular academy and towards the broader marketplace. In the wake of
the unexpected popularity of Steve Reich and Philip Glass,
classical presenters looked to contemporary music for relevance and
record labels scrambled to reap its potential profits, all while
government funding was imperilled by the evangelical right. Other
institutions faltered amidst the vagaries of late capitalism, but
the renegade Bang on a Can survived-and thrived-in a tumultuous and
idealistic moment that made new music what it is today.
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