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The Errant Art of Moby-Dick - The Canon, the Cold War, and the Struggle for American Studies (Paperback, New) Loot Price: R921
Discovery Miles 9 210
The Errant Art of Moby-Dick - The Canon, the Cold War, and the Struggle for American Studies (Paperback, New): William V. Spanos

The Errant Art of Moby-Dick - The Canon, the Cold War, and the Struggle for American Studies (Paperback, New)

William V. Spanos

Series: New Americanists

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Loot Price R921 Discovery Miles 9 210 | Repayment Terms: R86 pm x 12*

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In The Errant Art of Moby-Dick, one of America's most distinguished critics reexamines Melville's monumental novel and turns the occasion into a meditation on the history and implications of canon formation. In Moby-Dick--a work virtually ignored and discredited at the time of its publication--William V. Spanos uncovers a text remarkably suited as a foundation for a New Americanist critique of the ideology based on Puritan origins that was codified in the canon established by Old Americanist critics from F. O. Matthiessen to Lionel Trilling. But Spanos also shows, with the novel still as his focus, the limitations of this New Americanist discourse and its failure to escape the totalizing imperial perspective it finds in its predecessor.
Combining Heideggerian ontology with a sociopolitical perspective derived primarily from Foucault, the reading of Moby-Dick that forms the center of this book demonstrates that the traditional identification of Melville's novel as a romance renders it complicitous in the discourse of the Cold War. At the same time, Spanos shows how New Americanist criticism overlooks the degree to which Moby-Dick anticipates not only America's self-representation as the savior of the world against communism, but also the emergent postmodern and anti-imperial discourse deployed against such an image. Spanos's critique reveals the extraordinary relevance of Melville's novel as a post-Cold War text, foreshadowing not only the self-destructive end of the historical formation of the American cultural identity in the genocidal assault on Vietnam, but also the reactionary labeling of the current era as the end of history.
This provocative and challenging study presents not only a new view of the development of literary history in the United States, but a devastating critique of the genealogy of ideology in the American cultural establishment.

General

Imprint: Duke University Press
Country of origin: United States
Series: New Americanists
Release date: June 1995
First published: June 1995
Authors: William V. Spanos
Dimensions: 159 x 229 x 33mm (L x W x T)
Format: Paperback - Trade
Pages: 392
Edition: New
ISBN-13: 978-0-8223-1599-5
Categories: Books > Language & Literature > Literature: history & criticism > Literary studies > 19th century
Books > Language & Literature > Literature: history & criticism > Novels, other prose & writers > General
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LSN: 0-8223-1599-8
Barcode: 9780822315995

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