My Uncle Dudley (Harcourt-1942) was fun reading, though at times it
seemed somewhat Saroyan derivative with a touch of Steinbeck. The
Man Who Was There is wholly original; Morris' only parallel - that
occurred to me as I read - was Claude Houghton, author of I Was
Jonathan Scrivener, whose work, dating some ten years back, left me
with that some elusively tantalized feeling that I had as I read
The Man Who Was There. ??Ages Ward dominates the book, and yet the
reader never really sees him, oven in the thoroughly "American
Gothic" chapters that tell of his visit to his old home, where the
relatives and friends discuss him as though he were not there. For
most of the book, he is encountered (a), as seen though the eyes of
Grandmother Herkimer, whose memory is failing and who insists on
called Private ??Reagan "Agee Ward"; (b) through a sporadic record
left in the family album; (c) through the episodic memories of
neighbors; (d) through his few friends, and those who knew him
superficially and called themselves friends, driven by the urge of
curiosity when he was reported "Missing" and his land-lady, Miss
??Newoomb, was named "next of kin". They were a queer bunch, close
to the verge of madness, with Miss Newcomb maddest of the lot, and
her admirer, Mr. Bloom, a close second. But they were mad in such a
nice way, that you love the lot of them, even Peter Spavic. The
final impression has somewhat the confusion of a dream, into which
you want to get back so as to know the end. Odd blend of
impressionistic treatment, and realism, down to a photographic
accuracy of minuti??e - and phonographic record of sound. The man
can write - and someday he may achieve some degree of order and
balance that this lacks. I cannot see a large audience, but it will
be an appreciative one. (Kirkus Reviews)
When it first appeared in 1945, this novel disconcerted a good many
critics: Agee Ward, the man who was there of the title, ostensibly
is the man who is not there--a member of the armed forces in World
War II, he has been reported missing in action. Yet as we are shown
various views of Agee and how he continues to affect the lives of
others--among them Grandma Herkimer and Private Reagan, who knew
him in boyhood; Peter Spavic and Mrs. Krickbaum, who refuse to
believe that he is missing; Miss Gussie Newcomb, his landlady and
(to her surprise) his heir--we come to perceive what Agee had in
mind when he said that anything really alive just went on and on.
An odd blend of impressionistic treatment, and realism, down to a
photographic accuracy of minutiae--and phonographic record of
sound. The man can write.--Kirkus Reviews. Reading this book gives
one the same sort of pleasure and excitement and annoyance that
leafing through an album of snapshots and sketches would provide if
the album were a joint production of Daguerre, Braque, Grant Wood,
Mathew Brady, and the Fresno News staff photographer.--Saturday
Review of Literature.One of the most distinguished American
authors, Wright Morris (1910-1988) wrote thirty-three books
including The Field of Vision, which won the National Book Award.
General
Imprint: |
University of Nebraska Press
|
Country of origin: |
United States |
Release date: |
1977 |
First published: |
1977 |
Authors: |
Wright Morris
|
Dimensions: |
203 x 133 x 14mm (L x W x T) |
Format: |
Paperback - Trade
|
Pages: |
236 |
ISBN-13: |
978-0-8032-5813-6 |
Categories: |
Books >
Fiction >
General & literary fiction >
Modern fiction
|
LSN: |
0-8032-5813-5 |
Barcode: |
9780803258136 |
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