The political economy and culture of Chinese cinema during the era
of China's prolonged economic reform has not until now been
examined in detail. Ying Zhu's new and comprehensive study examines
the institutional as well as the stylistic transitions of Chinese
cinema from pedagogy to art to commerce, focusing on the key film
reform measures as well as the metamorphosis of Chinese Fifth
Generation films from art film narration-as in Chen Kaige's 1984
Yellow Earth-to post-New-Wave classical film narration-as in the
same director's 1993 Farewell, My Concubine. Zhu also considers the
films of a younger generation, the so-called "underground
generation," which has been making both critical and commercial
waves in recent years. Of use to Asian Studies scholars and film
scholars alike, her work reconciles the stylistic, cultural, and
economic dimensions of the nation's cinematic output, also
providing the first systematic institutional analysis of an
industry in a state of constant flux.
General
Imprint: |
Praeger Publishers Inc
|
Country of origin: |
United States |
Release date: |
August 2003 |
First published: |
August 2003 |
Authors: |
Ying Zhu
|
Dimensions: |
234 x 156 x 14mm (L x W x T) |
Format: |
Hardcover
|
Pages: |
248 |
Edition: |
New |
ISBN-13: |
978-0-275-97959-1 |
Categories: |
Books >
Arts & Architecture >
Performing arts >
Films, cinema >
General
|
LSN: |
0-275-97959-8 |
Barcode: |
9780275979591 |
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