Rich Green Gold (PY129) is a warm mossy green. This product is an effective choice when depicting fruits, vegetables, leaves and landscapes. Low-staining and lightfast, Rich Green Gold lifts with ease from either a concentrated or dilute wash and from either damp or dry work.ASTM Lightfastness Rating: Excellent - Not yet rated by ASTM - Rating based on Daniel Smith's independent testing.Transparency: Semi-transparentGranulating: NoStaining: LowDaniel Smith's goal is to make the painting process as memorable as your finished masterpiece. Daniel Smith have spent eighteen years developing the finest and most complete line of watercolour paint so you can create your own unique vision. Today, just like in 1993, these watercolours are 'formulated to meet and exceed the highest industry standards for the manufacture of artist’s paints', and every batch made is tested and analyzed for its performance qualities.This is a 5ml tube of Daniel Smith Watercolour Paint in Rich Green Gold.

Cobalt Green Pale (PG19) is a green-blue. This product is ideal for glazing as it is semi-transparent and non-staining.

ASTM Lightfastness Rating: ExcellentTransparency: TransparentGranulating: YesStaining: Non-staining

Pyrrol Orange (PO73) is a smooth, semi-transparent orange. This versatile hue can capture subjects as diverse as the glory summer garden or the magic of a tropical sunset.Lightfastness: Extremely PermanentStaining: MediumTransparency: Semi-TransparentGranulation:  NoDaniel Smith's goal is to make the painting process as memorable as your finished masterpiece. Daniel Smith have spent eighteen years developing the finest and most complete line of watercolour paint so you can create your own unique vision. Today, just like in 1993, these watercolours are 'formulated to meet and exceed the highest industry standards for the manufacture of artist’s paints', and every batch made is tested and analyzed for its performance qualities.This is a 5ml tube of Daniel Smith Watercolour Paint in Pyrrol Orange.

Daniel Smith Oil Paints are made from a range of vibrant, finely-gound pigments and a high-grade alkali-refined linseed oil. This is a 37ml tube of Phthalo Green Yellow Shade (PG 36, Series 4). This green is dark in mass tone, very transparent with strong tinting power for mixing clear colours. Slightly warmer than Phthalo Green (Blue Shade).Lightfastness: III - ExcellentTransparency: Transparent

This iridescent gold acrylic gesso by Daniel Smith provides a lustrous metallic ground for oil and acrylic artists. It will enliven the transparent and semi-transparent colours which are painted over it, and will show through gaps between brushstrokes. It is vibrant, lightfast and archival.This product is made with Mica and iron oxide particles. Please remember that the Mica particles in this ground are heavy, and will sink to the bottom of the pot over time. It is therefore a great idea to mix the gesso with a palette knife before use, just to get the Mica back in suspension.

Lamp Black (PB29 PBk9 PY42) is an opaque, cool, velvety black. This product is ideal for darkening transparent paints.

ASTM Lightfastness Rating: ExcellentTransparency: OpaqueGranulating: NoStaining: Staining

Carbazole Violet (PV23 RS) is a granular blue-violet. This iris coloured shade is has a good staining ability and is semi-transparent.

ASTM Lightfastness Rating: Excellent - Not yet rated by ASTM - Rating based on Daniel Smith's independent testing.Tranparency: Semi-transparentStaining: MediumGranulating: No

Chinese White (PW4) is a semi-opaque white. This product has a superb permanency and is ideal for lightening other colours or painting highlights.

ASTM Lightfastness Rating: ExcellentTransparency: Semi-transparentGranulating: NoStaining: Non-staining

Chromium Green Oxide (PG17) is a natural green colour. It is well suited to landscape applications and can also be used to soften other colours.

ASTM Lightfastness Rating: ExcellentTransparency: OpaqueGranulating: YesStaining: Low

Cobalt Teal Blue (PG50) is a turquoise blue that is ideal for painting Tropical seas and summer skies. It can also be used to great effect when painting bright transparent shadows.

ASTM Lightfastness Rating: Excellent - Not yet rated by ASTM - Rating based on Daniel Smith's independent testing.Transparency: Semi-transparentGranulating: YesStaining: Non-staining

Cobalt Turquoise (PB36) is a teal blue. This paint is a wonderful product for blending in a glaze or wash. Its slight granulation adds interest to a painting with multiple layers.

ASTM Lightfastness Rating: ExcellentTransparency: Semi-transparentGranulating: YesStaining: Non-staining

Cobalt Violet (PV49) is a deep muted violet that can be added to a painting to create glowing shadows with pleasing granulation. An inorganic pigment, it is considered transparent, non-staining (or low-tinting) and ideal for glazing methods.

ASTM Lightfastness Rating: Excellent - Not yet rated by ASTM - Rating based on Daniel Smith's independent testing.Transparency: TransparentGranulating: YesStaining: Non-staining

Graphite Gray (PBk10) is an opaque grey that can be handled as a wet wash or as a dry textured brush stroke. This product can be used to paint weathered wood, fence posts and old buildings.

ASTM Lightfastness Rating: Excellent - Not yet rated by ASTM - Rating based on Daniel Smith's independent testing.Transparency: OpaqueGranulating: NoStaining: Low

Hooker's Green (PG36 PY3 PO49) is a warm, natural, shamrock green. This product is a useful mixing green that can capture a range of shades from dappled woodland sunlight to deep forest depths.

ASTM Lightfastness Rating: Very Good - Not yet rated by ASTM - Rating based on Daniel Smith's independent testing.Transparency: Semi-transparentGranulating: NoStaining: Low

Indanthrone Blue (PB60) is a super-staining, warm, primary blue. Indanthrone has a pleasing range from blue-black to stonewashed denim. This product is ideal for capturing indigo skies, water and interesting shadows. Try with Anthraquinoid Red, Indian Yellow for a complete a transparent staining trio.

ASTM Lightfastness Rating: Excellent - Not yet rated by ASTM - Rating based on Daniel Smith's independent testing.Transparency: TransparentGranulating: NoStaining: Medium

Italian Burnt Sienna (PBr7) is a natural orange-brown earth pigment. This shade is ideal for use when painting Pacific North-western landscapes, old bricks or fallen leaves.

ASTM Lightfastness Rating: ExcellentTransparency: Semi-transparentGranulating: YesStaining: Non-staining

Lunar Earth (PBr11) is a similar colour to Burnt Sienna. This product is transparent, non-staining and separates easily.

ASTM Lightfastness Rating: Excellent - Not yet rated by ASTM - Rating based on Daniel Smith's independent testing.Transparency: TransparentGranulating: YesStaining: Non-staining

Monte Amiata Natural Sienna (PBr7) is a subtle natural sienna hue. This product has a gentle granulation, an excellent lightfastness and a delicate transparency. Ideal for portraits and landscapes, this paint is very workable due to the low staining nature of its pigment.

ASTM Lightfastness Rating: Excellent - Not yet rated by ASTM - Rating based on Daniel Smith's independent testing.Transparency: TransparentGranulating: YesStaining: Low

New Gamboge (PY153) is a colour similar to Yellow Ochre colour, but with a hint of Raw Sienna. This yellow-orange toned paint is transparent and, unlike other formulas of New Gamboge, is lightfast.

Lightfastness: Extremely PermanentStaining: Low-StainingTransparency: Semi-TransparentGranulation: No

Organic Vermilion (PR188) is a low-staining deep orange. This colour is also known as Scarlet Lake or Rose Carthame. This products excelled handling makes it an obvious palette addition.

Lightfastness: Very GoodStaining: Low-StainingTransparency: Semi-TransparentGranulation: No

Permanent Green Light (PY3 PG7) is a bright, vibrant green that has both Phthalo Green Blue Shade and Hansa Yellow Light in its make-up. An organic, semi-transparent and high-staining pigment this product yields bright, clean mixtures. It makes for both an interesting complement and mixing colour with Quinacridone Violet.

ASTM Lightfastness Rating: Very GoodTransparency: Semi-transparentGranulating: NoStaining: Low

Permanent Green (PY3 PG7) is a bright, vivid green that has both Phthalo Green Blue Shade and Hansa Yellow Light in its make-up. An organic, transparent and high-staining pigment this product yields bright, clean mixtures. It makes for both an interesting complement and mixing colour with Cobalt Violet.

ASTM Lightfastness Rating: Very Good

Transparency: Transparent

Granulating: No

Staining: Medium

Permanent Red (PR170 F3RK-70) is a strong, semi-transparent, warm red. This product diffuses exceptionally well when added to water. The soft, delicate edges produced using this method are ideal for capturing flower petals especially those of the red poppy.

ASTM Lightfastness Rating: Very Good - Not yet rated by ASTM - Rating based on Daniel Smith's independent testing.Transparency: Semi-transparentGranulating: NoStaining: Staining

Permanent Violet (PR88) is a velvety purple. This lightfast, semi-transparent pigment is the perfect pre-mixed violet. This product is perfect, when in a wash, for painting the petals of pansies due to its soft handling ability.

ASTM Lightfastness Rating: Excellent - Not yet rated by ASTM - Rating based on Daniel Smith's independent testing.Transparency: Semi-transparentGranulating: NoStaining: Medium

Perylene Red (PR178) is an orange toned red that, when in wash form, creates a vivid, dark orange hue. This modern pigment is metal-free and creates clean, ‘mud' less mixtures.

ASTM Lightfastness Rating: Very Good - Not yet rated by ASTM - Rating based on Daniel Smith's independent testing.Transparency: Semi-transparentGranulating: YesStaining: Medium