Remember you must die. Dame Lettie Colston is the first of her circle to receive insinuating anonymous phone calls. Neither she, nor her friends, wish to be reminded of their mortality, and their geriatric feathers are thoroughly ruffled. As the caller's activities become more widespread, old secrets are dusted off, exposing post and present duplicities, self-deception and blackmail. Nobody is above suspicion. Witty, poignant and wickedly hilarious, Memento Mori may ostensibly concern death, but it is a book which leaves one relishing life all the more. Books included in the VMC 40th anniversary series include: Frost in May by Antonia White; The Collected Stories of Grace Paley; Fire from Heaven by Mary Renault; The Magic Toyshop by Angela Carter; The Weather in the Streets by Rosamond Lehmann; Deep Water by Patricia Highsmith; The Return of the Soldier by Rebecca West; Their Eyes Were Watching God by Zora Neale Hurston; Heartburn by Nora Ephron; The Dud Avocado by Elaine Dundy; Memento Mori by Muriel Spark; A View of the Harbour by Elizabeth Taylor; and Faces in the Water by Janet Frame

Winston Churchill hated The Life and Death of Colonel Blimp, and tried to have it banned when it was released in 1943. But Martin Scorsese, a champion of directors Michael Powell and Emeric Pressburger, considers it a masterpiece. It's a film about desires repressed in favour of worthless and unsatisfying ideals. And it's a film about how England dreamt of itself as a nation and how this dream disguised inadequacy and brutality in the clothes of honour. A. L. Kennedy, writing as a Scot, is fascinated by the nationalism which The Life and Death of Colonel Blimp explores. She finds human worth in the film and the pathos of stifled emotions and unfulfilled lives. 'If he is unaware of his passions, ' she writes of Clive Candy, the film's central figure, 'this is because his pains have become habitual, a part of personality, and because he was never taught a language that could speak of emotions like pain.'. This edition includes a foreword by the author exploring the film's continuing relevance in an age of Brexit, when English and British national identity are deeply contested concepts.

Brilliantly funny, terrifying, tender and sharp: the best short stories to come out of lockdown. A vibrant collection of established and emerging authors, including A L Kennedy, Helen Simpson, Alison Moore whose novel The Lighthouse was shortlisted for the Booker Prize, Amanda Huggins (winner of the Colm Toibin short story award), Richard Lambert shortlisted for The Sunday Times EFG award, Stephen S. Thomson author of Toy Soldiers and Sitting in Limbo for BBC 1 . Introduction by Amanda Craig, long listed for the Women's prize for Fiction 2021. '18 well-chosen stories, loosely based on the idea of solitude, explore loss, loneliness and love, and head from the wilds of the Northern Rockies with an ailing father and an intrepid grieving daughter (Leadfall by D. W. Wilson) to the cable-tangled, neon-jagged streets of Bangkok where, in Stephen Thomas's titular story, a traveller watches the world and thinks the setting is strange to her, but her thoughts are inescapably familiar.'DAILY MAIL

'Charming lessons in life, death and kindness . . . Hugely moving' Observer This is the story of Mary, a young girl born in a beautiful city full of rose gardens and fluttering kites. When she is still very small, Mary meets Lanmo, a shining golden snake, who becomes her very best friend. The snake visits Mary many times, he sees her grow and her city change, as bombs drop and war creeps in. Lanmo wonders, can having a friend possibly be worth the pain of knowing you will lose them?

LONGLISTED FOR THE MAN BOOKER PRIZE Jon is 59 and divorced: a senior civil servant in Westminster who hates many of his colleagues and loathes his work, he is a good man in a bad world. Meg is a bankrupt accountant - two words you don't want in the same sentence, or anywhere near your CV. Living on Telegraph Hill, she can see London unfurl below her. Somewhere out there is safety. As Jon and Meg navigate the sweet and serious heart of London - passing through 24 hours that will change them both for ever - they tell a very unusual, unbearably moving love story.

Badger Bill needs rescuing. He's been kidnapped by two nasty sisters who are about to make him fight a boxing match against three even nastier dogs. The four most depressed llamas in the history of llamas need rescuing too. They are about to be turned into llama pies. But never fear - Uncle Shawn is here! He loves rescuing things. He has a rescuing plan, which involves dancing, and a mole, and an electric fence. What could possibly go wrong?

This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone

From the prodigiously talented A. L. Kennedy comes a flamboyantly stylish and fiercely emotional novel about fathers and daughters, creation and self-destruction, and love’s paradoxical power to heal its most devastated victims. One such victim is Nathan Staples, a writer whose hilarious contempt for humanity is surpassed only by his corrosive self-loathing. Along with five equally dysfunctional colleagues Nathan lives on an island retreat off the coast of Wales, where he yearns for the daughter he lost years before. Now, in defiance of all his hopes, Mary Lamb–herself an aspiring writer–is about to join him as the seventh member of the colony.

As Nathan tortuously wins the trust of the child who has no inkling of their true relationship, Mary comes to a gradual understanding of her gift. In Everything You Need, A. L. Kennedy combines the mythic resonance of Arthurian legend with a sensibility as lyrical as it is profane.

The ferociously talented author of Original Bliss and On Bullfighting offers this haunting tale of two forlorn people who find in each other a hope and love as genuine and original as this marvelous book in which they come to life.

M. Jennifer Wilson is a mid-thirties radio announcer living in Glasgow. She shares a house with Art and Liz, two typical Scotland thirtysomethings, but her life takes a drastic turn with the arrival of her new housemate, an elusive man who glows in the dark and can't remember his name. He soon reveals himself to be none other than Savinien Cyrano de Bergerac, the famed writer and duelist of eighteenth-century France, and what unfolds is a love story stark and surreal, tender and humane.

An Anchor Books Original

One day, on the brink of despair and contemplating her own mortality, novelist A. L. Kennedy is offered an assignment she can’t refuse–an opportunity to travel to Spain and cover a sport that represents the ultimate confrontation with death: bullfighting.

The result is this remarkable book, which takes Kennedy and her readers from the living room of her Glasgow flat to the plazas del toros of Spain and inside the mesmerizing, mystifying, brutal, and beautiful world of the bullfight. Here the sport is death: matadors (literally "killers") are men and, increasingly, women who, not unlike the Roman gladiators before them, provide a spectacle to the crowd, a dance in which their own death is as present as that of the bull. Wonderfully relaying the elements of the sport, from the breeding of the bulls and the training of the matadors to the intricate choreography of the bullfight and its strange connection to the Inquisition, Kennedy meditates on a culture that we may not countenance or fully understand but which is made riveting by the precision of her prose and the passion and humor of her narrative.

'Kennedy is a superb writer and the canniness of her observation keeps you reading' Sunday Times Humour, fantasy, rage and despair both help and hinder the protagonists of these stories as they navigate changing circumstances, accumulating losses, moments of comprehension and tenderness. Here is the woman, hoping for a quiet day at the zoo, who finally snaps at a white man's racist tirade and vents years of fury; the micro-celebrity who practises lines for a chat show on which he'll never appear; and the woman who walks out of her honeymoon suite at midnight, perhaps for good. Unsparing in her close examination of human relationships, A. L. Kennedy proves once again why she is regarded as one of our great storytellers. 'Kennedy dissects the small intimacies of inner thoughts... Her prose is typically direct, her sentences clear-cut and yet capable of great tenderness' Observer 'An author with a proven ability to see - truly see - and whose prose can fire like gunshots across the page' New Statesman

The heroes and heroines of Night Geometry and the Garscadden Trains, A. L. Kennedy's first collection of stories, are small people - the kind who inhabit the silence in libraries, who never appear on screen and who never make the headlines. Often alone and sometimes lonely, her characters ponder the mysteries of sex and death... and the ability of public transport to affect our lives.

Unforgettably astounding and a joy to read, Memento Mori is considered by many to be the greatest novel by the wizardly Dame Muriel Spark. In late 1950s London, something uncanny besets a group of elderly friends: an insinuating voice on the telephone informs each, "Remember you must die." Their geriatric feathers are soon thoroughly ruffled by these seemingly supernatural phone calls, and in the resulting flurry many old secrets are dusted off. Beneath the once decorous surface of their lives, unsavories like blackmail and adultery are now to be glimpsed. As spooky as it is witty, poignant and wickedly hilarious, Memento Mori may ostensibly concern death, but it is a book which leaves one relishing life all the more.

'Odd, beautiful and moving, On Bullfighting is one of the best books of the year' Jeanette Winterson Bullfighting - this complicated, repellent, fascinating, grotesque, sacramental, ugly, ritualistic, haphazard and blasphemous fight. Hemingway, Conrad and Lorca have all written about it, now it's the turn of acclaimed novelist AL Kennedy. Unpealing the layers she looks beyond the theatre, the costume, the erotic dance and the well-worn plot and focuses on the fact that a man faces his death while a crowd looks on.'On Bullfighting casts an unofficial eye over a world of male exploit; the public spectacles are treated with a fresh particularity, the inner landscapes of pain with an ardent, high-risk honesty' Julian Barnes'informative, minutely observed and beautifully written' Dea Birkett, THE INDEPENDENT'Kennedy notches up another incisive hit Brutal, brittle and brilliant' THE LIST, Glasgow

The third book in a hilarious, heart-warming series for children from Costa Award-winning author A.L. Kennedy, illustrated by celebrated cartoonist Gemma Correll. Uncle Shawn and his best friend Badger Bill are back for another brilliantly bonkers adventure. They've seen off the nasty Dr P'Klawz with the help of their trusty llama pals, and now everything on their farm up on the sunny side of Scotland is just about perfect. Apart from the moon needing rescuing and a suspicious lady badger setting her sights on Bill... What could possibly go wrong?

Packed with tips from bestselling and prize-winning authors, Novel Writing: A Writers' and Artists' Companion will give you all the practical advice you need to write and publish your novel. PART 1 provides an introduction to the forms and history of the novel and helps you plan and research your masterpiece, develop characters and compelling narratives and your own authorial voice. PART 2 contains guest contributions from Philip Pullman, Louise Doughty, Glenn Patterson, Jeanette Winterson, Jonathan Franzen, Stevie Davies, Doris Lessing, Tash Aw, Elif Shafak, Anne Enright, Tim Pears, Anita Desai, Tim Lott, Amit Chaudhuri, Andrea Levy, Alan Hollinghurst, Bernardo Atxaga, Hanan Al-Shaykh, Michele Roberts, Joan Brady, Lynn Freed, Evelyn Toynton as well as a number of the 2013 list of the Best of Young British Novelists including Kamila Shamsie, Tamima Anam, Naomi Alderman, Ned Beauman, Jenni Fagan and Joanna Kavenna. PART 3 offers practical advice on collaborative writing, overcoming writer's block, editing and rewriting and finding an agent and a publisher for your work. Written by two multi-award winning authors, this is a comprehensive manual for established and aspiring novelists alike.

The world's fascination with New Orleans stems from the allure of the music of the city_music that owes its origins and development to many sources. Until now, popular and scholarly books, dissertations, and articles that attempt to explain these sources have failed to recognize the unsung heroes of the New Orleans jazz scene: the teachers in its public schools. Through more than 90 original interviews and extensive research in New Orleans' historical collections, Dr. Kennedy documents ways that public school teachers pushed an often unwilling urban institution to become an important structure that transmitted jazz and the other musical traditions of the city to future musicians. Music legends from Louis Armstrong to Ellis Marsalis Jr._who also provides the foreword_are just two of the many well-known former students of the New Orleans public schools. Chord Changes on the Chalkboard shows that, particularly after the 1920s, public school students benefited not only from the study of instrumental music and theory, but also from direct exposure to musicians, many of whom were invited to perform for the students. The impact the teachers had on generations of musicians and music fans is undeniable, yet their teaching techniques are only part of the story. In addition to the successes enjoyed with their students, the teachers' own musical experiences, recordings, and performances are also examined. The interaction between teachers and students in New Orleans public school classrooms opens a new field of research for music historians, and this book is the first to document ways in which public school teachers acted as mentors to shape the future of jazz and the music of New Orleans. An important addition to its field, Chord Changes on a Chalkboard will provide invaluable information for jazz fans and historians, music scholars and students, and it is also useful reading for any public school teacher. A must for any music library, it should also be a welcome addition to any collection supporting African-American history or popular culture.

Alfie Day, RAF airman and former World War II POW, never expected to survive the war. He may not have even wanted to—choosing to be a tail gunner—exposed, alone and watchful for his skipper and his crew through night after night of bombing missions. Now, five years after the end of the war and more alone than ever, Alfie finds himself drawn to unearth those intense, strangely passionate days by working as an extra on a POW film. What he will discover on the set about himself, his loves and the world around him will make the war itself look simple.

Day is a superbly realized, emotionally charged, deeply affecting drama about the violence of modern life, and the intensity and courage to be found in the closeness of death. Blazing with Kennedy’s characteristic virtuosity, wit and narrative invention, Day is funny and moving, wise and sad, a dazzlingly original performance from one of the most gifted writers of our time.

A.L. Kennedy's fifth collection of short stories show us exactly what becomes of the broken-hearted. Her characters are perfectly ordinary people - whose marriages founder; who sit on their own in a cinema watching a film with no soundtrack; who risk sex in a hotel with an anonymous stranger or who order a luxurious meal as their lives fall apart - but the stories she weaves around them are truly remarkable. She reveals the sadness, violence, hurt and terror, but also the redemption and the love - and she does so with enormous human compassion and leaps of black humour. From the winner of the Costa Book Award for Day.