Winston Churchill hated The Life and Death of Colonel Blimp, and
tried to have it banned when it was released in 1943. But Martin
Scorsese, a champion of directors Michael Powell and Emeric
Pressburger, considers it a masterpiece. It's a film about desires
repressed in favour of worthless and unsatisfying ideals. And it's
a film about how England dreamt of itself as a nation and how this
dream disguised inadequacy and brutality in the clothes of honour.
A. L. Kennedy, writing as a Scot, is fascinated by the nationalism
which The Life and Death of Colonel Blimp explores. She finds human
worth in the film and the pathos of stifled emotions and
unfulfilled lives. 'If he is unaware of his passions, ' she writes
of Clive Candy, the film's central figure, 'this is because his
pains have become habitual, a part of personality, and because he
was never taught a language that could speak of emotions like
pain.'. This edition includes a foreword by the author exploring
the film's continuing relevance in an age of Brexit, when English
and British national identity are deeply contested concepts.
General
Imprint: |
Bloomsbury Publishing Plc
|
Country of origin: |
United Kingdom |
Series: |
BFI Film Classics |
Release date: |
May 2020 |
Authors: |
A.L. Kennedy
|
Dimensions: |
190 x 135 x 7mm (L x W x T) |
Format: |
Paperback
|
Pages: |
88 |
ISBN-13: |
978-1-83871-910-4 |
Categories: |
Books >
Arts & Architecture >
Performing arts >
Films, cinema >
General
|
LSN: |
1-83871-910-5 |
Barcode: |
9781838719104 |
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