The human desire to adorn the body is universal and timeless. While specific forms of body decoration and the motivations for them vary by region, culture, and era, all human societies have engaged in practices designed to augment and enhance people's natural appearance. Tattooing, the process of inserting pigment into the skin to create permanent designs and patterns, is one of the most widespread forms of body art and was practiced by ancient cultures throughout the world, with tattoos appearing on human mummies by 3200 BCE. Ancient Ink, the first book dedicated to the archaeological study of tattooing, presents new, globe-spanning research examining tattooed human remains, tattoo tools, and ancient art. Connecting ancient body art traditions to modern culture through Indigenous communities and the work of contemporary tattoo artists, the volume's contributors reveal the antiquity, durability, and significance of body decoration, illuminating how different societies have used their skin to construct their identities.

For thousands of years, the inhabitants of the Middle Cumberland River Valley harvested shellfish for food and raw materials then deposited the remains in dense concentrations along the river. Very little research has been published on the Archaic period shell mounds in this region. Demonstrating that nearly forty such sites exist, this volume presents the results of recent surveys, excavations, and laboratory work as well as fresh examinations of past investigations that have been difficult for scholars to access. In these essays, contributors describe an emergency riverbank survey of shell-bearing sites that were discovered, reopened, or damaged in the aftermath of recent flooding. Their studies of these sites feature stratigraphic analysis, radiocarbon dating, zooarchaeological data, and other interpretive methods. Other essays in the volume provide the first widely accessible summary of previous work on sites that have long been known. Contributors also address larger topics such as GIS analysis of settlement patterns, research biases, and current debates about the purpose of shell mounds. This volume provides an enormous amount of valuable data from the abundant material record of a fascinating people, place, and time. It is a landmark synthesis that will improve our understanding of the individual communities and broader cultures that created shell mounds across the southeastern United States. A volume in the Florida Museum of Natural History: Ripley P. Bullen Series.

For thousands of years, Native Americans throughout the Eastern Woodlands and Great Plains used the physical act and visual language of tattooing to construct and reinforce the identity of individuals and their place within society and the cosmos. The act of tattooing served as a rite of passage and supplication, while the composition and use of ancestral tattoo bundles was intimately related to group identity. The resulting symbols and imagery inscribed on the body held important social, civil, military, and ritual connotations within Native American society. Yet despite the cultural importance that tattooing held for prehistoric and early historic Native Americans, modern scholars have only recently begun to consider the implications of ancient Native American tattooing and assign tattooed symbols the same significance as imagery inscribed on pottery, shell, copper, and stone.

Drawing with Great Needles is the first book-length scholarly examination into the antiquity, meaning, and significance of Native American tattooing in the Eastern Woodlands and Great Plains. The contributors use a variety of approaches, including ethnohistorical and ethnographic accounts, ancient art, evidence of tattooing in the archaeological record, historic portraiture, tattoo tools and toolkits, gender roles, and the meanings that specific tattoos held for Dhegiha Sioux and other Native speakers, to examine Native American tattoo traditions. Their findings add an important new dimension to our understanding of ancient and early historic Native American society in the Eastern Woodlands and Great Plains.

Was Nashville once home to a giant race of humans? No, but in 1845, you could have paid a quarter to see the remains of one who allegedly lived here before The Flood. That summer Middle Tennessee well diggers had unearthed the skeleton of an American mastodon. Before it went on display, it was modified and augmented with wooden "bones" to make it look more like a human being and passed off as an antediluvian giant. Then, like so many Nashvillians, after a little success here, it went on tour and disappeared from history. But this fake history of a race of Pre-Nashville Giants isn't the only bad history of what, and who, was here before Nashville. Sources written for schoolchildren and the public lead us to believe that the first Euro-Americans arrived in Nashville to find a pristine landscape inhabited only by the buffalo and boundless nature, entirely untouched by human hands. Instead, the roots of our city extend some 14,000 years before Illinois lieutenant-governor-turned-fur-trader Timothy Demonbreun set foot at Sulphur Dell. During the period between about AD 1000 and 1425, a thriving Native American culture known to archaeologists as the Middle Cumberland Mississipian lived along the Cumberland River and its tributaries in today's Davidson County. Earthen mounds built to hold the houses or burials of the upper class overlooked both banks of the Cumberland near what is now downtown Nashville. Surrounding densely packed village areas including family homes, cemeteries, and public spaces stretched for several miles through Shelby Bottoms, and the McFerrin Park, Bicentennial Mall, and Germantown neighborhoods. Other villages were scattered across the Nashville landscape, including in the modern neighborhoods of Richland, Sylvan Park, Lipscomb, Duncan Wood, Centennial Park, Belle Meade, White Bridge, and Cherokee Park. The book is the first effort by legitimate archaeologists to articulate the history of what happened here before Nashville happened.

For thousands of years, Native Americans throughout the Eastern Woodlands and Great Plains used the physical act and visual language of tattooing to construct and reinforce the identity of individuals and their place within society and the cosmos. The act of tattooing served as a rite of passage and supplication, while the composition and use of ancestral tattoo bundles was intimately related to group identity. The resulting symbols and imagery inscribed on the body held important social, civil, military, and ritual connotations within Native American society. Yet despite the cultural importance that tattooing held for prehistoric and early historic Native Americans, modern scholars have only recently begun to consider the implications of ancient Native American tattooing and assign tattooed symbols the same significance as imagery inscribed on pottery, shell, copper, and stone. Drawing with Great Needles is the first book-length scholarly examination into the antiquity, meaning, and significance of Native American tattooing in the Eastern Woodlands and Great Plains. The contributors use a variety of approaches, including ethnohistorical and ethnographic accounts, ancient art, evidence of tattooing in the archaeological record, historic portraiture, tattoo tools and toolkits, gender roles, and the meanings that specific tattoos held for Dhegiha Sioux and other Native speakers, to examine Native American tattoo traditions. Their findings add an important new dimension to our understanding of ancient and early historic Native American society in the Eastern Woodlands and Great Plains.