For thousands of years, Native Americans throughout the Eastern
Woodlands and Great Plains used the physical act and visual
language of tattooing to construct and reinforce the identity of
individuals and their place within society and the cosmos. The act
of tattooing served as a rite of passage and supplication, while
the composition and use of ancestral tattoo bundles was intimately
related to group identity. The resulting symbols and imagery
inscribed on the body held important social, civil, military, and
ritual connotations within Native American society. Yet despite the
cultural importance that tattooing held for prehistoric and early
historic Native Americans, modern scholars have only recently begun
to consider the implications of ancient Native American tattooing
and assign tattooed symbols the same significance as imagery
inscribed on pottery, shell, copper, and stone.
Drawing with Great Needles is the first book-length scholarly
examination into the antiquity, meaning, and significance of Native
American tattooing in the Eastern Woodlands and Great Plains. The
contributors use a variety of approaches, including ethnohistorical
and ethnographic accounts, ancient art, evidence of tattooing in
the archaeological record, historic portraiture, tattoo tools and
toolkits, gender roles, and the meanings that specific tattoos held
for Dhegiha Sioux and other Native speakers, to examine Native
American tattoo traditions. Their findings add an important new
dimension to our understanding of ancient and early historic Native
American society in the Eastern Woodlands and Great Plains.
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