Inspired by dioramas of wild flora and fauna found in natural history museums, Jim Naughten's digital reimaginations of a familiar yet alien world, explore the idea of wildlife becoming a lost fantasy. From orangutans swinging through psychedelic forests, to deer roaming pastel-hued canyons-Naughten's depictions of nature in an artificial color palette convey a distinct sense of dislocation and growing estrangement. His fantastical tableaus question our rose tinted image of the natural world that is largely fictional. In fact we are entering the Eremozoic-a term coined by biologist and writer E. O. Wilson to describe the current era of mass extinction triggered by human activity. Also referred to as The Age of Loneliness, the term alludes to the isolation that will follow the destruction of our deeply rooted relationships with other species.

From the late 1950s to the late 1960s the word 'Pop' described any example of art, film, photography and architectural design that engaged with the new realities of mass production and the mass media. In addition to key artworks by Andy Warhol, Roy Lichtenstein, Ed Ruscha, Richard Hamilton and many others, this book includes works of photography and avant-garde film, as well as what the critic Reyner Banham defined as pop architecture, ranging from Alison and Peter Smithson's House of the Future to Archigram's Walking City and Robert Venturi and Denise Scott Brown's Learning from Las Vegas.
Edited by an internationally recognized expert on Pop art and culture, this book surveys Pop across all artforms and gives equal coverage to its American, British and European manifestations. Survey: renowned scholar and critic Hal Foster focuses on the Pop image as it developed over the period: Reyner Banham, The Independent Group and Pop Design; Richard Hamilton and the Tabular Image; Roy Lichtenstein and the Screened Image; Andy Warhol and the Seamy Image; Gerhard Richter and the Photogenic Image; Ed Ruscha and the Cineramic Image; and, Robert Venturi, Denise Scott Brown and the Postmodern Absorption of Pop. Works: each image is accompanied by an extended caption. This section is chronologically sequenced: Revolt into Style (1956-60) surveys the birth of Pop culture and its images, including the American Beat generation artists, photographers and filmmakers; Jasper Johns and Robert Rauschenberg, the French Decollageistes, Richard Hamilton and the 'British Pop' of the Independent Group. Consumer Culture (1960-63) chronicles American Pop's explosion, from Roy Lichtenstein's cartoon-based paintings to Claes Oldenburg's Store and Andy Warhol's Factory. Colonization of the Mind (1963-66) looks at American Pop's reception in Europe, in the work of Gerhard Richter, Sigmar Polke and others. Spectacular Time (1966-67) surveys late Pop developments, from Warhol's Silver Clouds to Malcolm Morley's Photorealism. Helter Skelter (1968) documents Pop's demise and transformation into postmodernism, in projects such as Robert Venturi and Denise Scott Brown's Learning from Las Vegas.

This book comprises a rigorous and enchanting exploration of a highly innovative and exciting period of art following the careers of artists such as Van Eyck, Durer and Holbein. Jeffrey Chipps Smith analyses key conceptual aspects of that period, such as the Protestant Reformation and the discovery of the Americas, offering the reader a penetrative insight into domestic, civic and court life as illustrated by some of the most exquisite artworks ever created. In the years from 1380 to 1580, northern Europe witnessed a period of artistic innovation as dynamic as contemporary developments in Italy. Stimulated by the atmosphere of intellectual curiosity about the individual and the natural world, Northern Renaissance artists mastered the new techniques of oil painting and printmaking to produce some of the most exquisite art of all time. It was also a period of political, religious and social turmoil, which profoundly changed the patronage, production and subject matter of art. At all levels of society art was a part of everyday life. Chipps Smith writes with tireless lucidity about these changes and the objects themselves. The works range from tapestries, altarpieces and illuminated manuscripts to churches, palaces and civic architecture. He discusses the audiences and functions of art from across nothern Europe, including not only Germany, France and the Low Countries, but also Britain and Austria. He explores major cultural and historic events such as the Protestant Reformation and the discovery of the Americas, to consider how they widened intellectual and religious horizons. The result is a book that reveals, with passion and erudition, how the Northern Renaissance masters laid the foundations for the art of succeeding centuries.