Our perception of the Others is based on our conception of ourselves. In theory the Others should be different. If necessary, we alter their images to accommodate the apperception of ourselves. Thus Chinesia, an amalgamation of facts and fiction, was created. In order to avoid previous repetition of stereotypes and prejudices, the present study re-examines the parameters which created Chinesia and traces its development to the end of the 18th century. The literary study begins with the analysis of European dramatization of the Manchu Conquest of China and its subsequent fictional Christianization. Then the Jesuit plays with Chinese themes are discussed, for the first time in literary history. Also analyzed is the reception of the Chinese Orphan motive in European literature which was the turning point in downgrading China, and subsequently Montesquieu's impact on Albrecht von Haller's novel "Usong" is examined. Thereafter, the study scrutinizes the contradictory positions of Herder and von Seckendorff (or Goethe, for that matter) in Weimar. The book concludes with a concise analysis of the 'eschatological sinism' of Hegel, Marx and Weber to indicate the development of the later centuries.

New essays on the works and themes of Hesse, one of the most perennially relevant and widely-read German authors. Today, forty years after Timothy Leary's suggestion that hippies read Hermann Hesse while "turning on," Hesse is once again receiving attention: faced with ubiquitous materialism, war, and ecological disaster, we discover that these problems have found universal expression in the works of this master storyteller. Hesse explores perennial themes, from the simple to the transcendental. Because he knows of the awkwardness of adolescence and the pressures exerted on us to conform, his books hold special appeal for young readers and are taught widely. Yet he is equally relevant for older readers, writing about the torment of a psyche in despair, or our fear of the unknown. All these experiences are explored from the perspective of the individual self, for Hesse the repository of the divine and the sole entity to which we are accountable. This volume of new essays sheds light on his major works, including Siddhartha, Der Steppenwolf, and Das Glasperlenspiel, as well as Rosshalde, Klingsors letzter Sommer, Klein und Wagner, and the poetry. Another six essays explore Hesse's interest in psychoanalysis, music, and easternphilosophy, the development of his political views, the influence of his painting on his writing, and the relationship between Hesse and Goethe. Contributors: Jefford Vahlbusch, Osman Durrani, Andreas Solbach, Ralph Freedman, Adrian Hsia, Stefan Hoeppner, Martin Swales, Frederick Lubich, Paul Bishop, Olaf Berwald, Kamakshi Murti, Marco Schickling, Volker Michels, Godela Weiss-Sussex, C. Immo Schneider, Hans-Joachim Hahn. Ingo Cornilsis Professor of German at the University of Leeds.

This monograph is the first study of the reception of China in English literature, and the first comprehensive study on the image of China in Western literature written by prominent Chinese scholars such as Qian Zhongshu, Fan Cunzhong and Chen Shouyi. It complements such studies on the literary reception of China as Pierre Martino's L'Orient dans la litterature francaise au XVIIe et au XVIIIe siecle (1906), Ursula Aurich's China im Spiegel der deutschen Literatur des 18. Jahrhunderts (1935), and E. Horst Tscharner's China in der deutschen Dichtung bis zur Klassik (1939).