This monograph is the first study of the reception of China in
English literature, and the first comprehensive study on the image
of China in Western literature written by prominent Chinese
scholars such as Qian Zhongshu, Fan Cunzhong and Chen Shouyi. It
complements such studies on the literary reception of China as
Pierre Martino's L'Orient dans la litterature francaise au XVIIe et
au XVIIIe siecle (1906), Ursula Aurich's China im Spiegel der
deutschen Literatur des 18. Jahrhunderts (1935), and E. Horst
Tscharner's China in der deutschen Dichtung bis zur Klassik (1939).
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