Hans Urs von Balthasar is emerging as a colossus of twentieth-century theology. More and more of his works are being translated. But as yet he is mainly known only through his great multi-volume trilogy 'Glory', 'Theo-Drama' and Theo-Logic'.Aidan Nichols has treated each part of the trilogy and theearly worksin his widely acclaimed 'Introduction to Hans Urs von Balthasar'.In this final volume he explores all von Balthasar'slater works. Many of these works are extremely important, although several are as yet untranslated and several as yet almost unknown. Nichols ranges widely and comprehensively, from journal articles to his major works, such as 'Apokalypse der deutschen Seele', to his final short works. The result is a wholly new perspective on von Balthasar, a contextualising of his trilogy and an illumination of his whole life and work.

This is the first comprehensive study of the theological significance of Paul Claudel, a poet frequently cited by literary-minded theologians in Europe and theologically-minded poets (such as von Balthasar, de Lubac and Eliot). His writing combines cosmology and history, Bible and metaphysics, liturgy and the drama of human personality. His work, which continues to arouse discussion in France, was acclaimed in his lifetime as the 'summa poetica' of a new Dante. Aidan Nichols' study demonstrates how Claudel's oeuvre, which is not only poetry but theatre and prose including biblical commentaries, constitutes a rich resource for constructive doctrine, liturgical preaching, and theological reflection. As the comparable example of Geoffrey Hill, Professor of Poetry at Oxford suggests, Aidan Nichols illuminates how Claudel's synthesis of many dimensions remains an important way of practising poetry in the Christian tradition today.

This book explores the Liturgy as the manifestation by cultic signs of Christian revelation, the 'setting' of the Liturgy in terms of architectural space, iconography and music, and the poetic response which the revelation the Liturgy carries can produce. The conclusion offers a synthetic statement of the unity of religion, cosmology and art. Aidan Nichols makes the case for Christianity's capacity to inspire high culture - both in principle and through well-chosen historical examples which draw on the best in Catholicism, Eastern Orthodoxy and Anglicanism.

Redeeming Beauty explores the richness of orthodox Christian tradition, both Western and Eastern, in matters of 'sacral aesthetics' - a term used to denote the foundations, production and experience of religiously relevant beauty. Aidan Nichols investigates five principal themes: the foundation of beauty in the natural order through divine creative action; explicitly 'evangelical' beauty as a quality of biblical revelation and notably at its climax in Christ; the legitimacy of making and venerating artworks; qualities of the self in relation to objective presentation of the religiously beautiful; and the difficulties of practising a sacral aesthetic, whether as producer or consumer, in an epoch when the visual arts themselves have left behind not only Church but for the greater part the public as well. The thought of theologians such as Augustine, Aquinas, Balthasar, Ratzinger, Bulgakov, Maritain and others are explored.

This book investigates Balthasar's early explorations of music and the other arts, before launching into a ramifying but controlled survey of his - often highly original - interpretations of major philosophers and literary figures in the European tradition from the early modern period until the 1930s. Balthasar seeks not only to discover elements of truth, goodness and beauty generally in a rich range of figures, where especial attention is given to the classical German philosophers (Fichte, Schelling, Hegel) and Nietzsche, as well as to dramatists and novelists (notably Goethe, Schiller and Dostoevsky), as well as to intellectual giants of his own century, such as Bergson, Scheler and Barth. He also intends to prove that writers who had lost a living contact with the biblical revelation carried by Christianity were incapable of reconstituting a synthesis of ideas about the goal of man and the universe which could be taken for granted in the high Medieval epoch. At the same time, the modern writers he investigates add, in his view, crucial enhancements of human understanding - particularly in relation to history and the human subject - which must be factored into any new overall vision of the future of the human soul and indeed the human species in its cosmic environment.

This is the first comprehensive study of the theological significance of Paul Claudel, a poet frequently cited by literary-minded theologians in Europe and theologically-minded poets (such as von Balthasar, de Lubac and Eliot). His writing combines cosmology and history, Bible and metaphysics, liturgy and the drama of human personality. His work, which continues to arouse discussion in France, was acclaimed in his lifetime as the 'summa poetica' of a new Dante. Aidan Nichols' study demonstrates how Claudel's oeuvre, which is not only poetry but theatre and prose including biblical commentaries, constitutes a rich resource for constructive doctrine, liturgical preaching, and theological reflection. As the comparable example of Geoffrey Hill, Professor of Poetry at Oxford suggests, Aidan Nichols illuminates how Claudel's synthesis of many dimensions remains an important way of practising poetry in the Christian tradition today.

A Grammar of Consent

This study explores the way in which, by way of the Christian mysteries, divine action impacts human life. The triune God acts in Jesus Christ by means of historical events whose effects transcend time and which are mediated through their celebration in memorial and worship. Drawing on both Evangelical and Catholic writers, Nichols provides evidence that the general portrait of Jesus found in the Pauline letters and the four Gospels rests on reliable historical witness. On this basis, he offers a concise Christology which presents Jesus Christ as the fulfillment of the Messianic hope of the Old Testament; explores his unique being as laid out in the teaching of the great Ecumenical Councils of the first Christian millennium, and describes how the classic theologian of the Latin tradition, St Thomas Aquinas, sees the chief historical events of Christ's life as affecting humanity throughout future time. Nichols then looks at the Christian concept of God - namely, Trinitarian monotheism. God so conceived can act efficaciously in the created order and does so by the deployment of his Word and Spirit in ways which express for a fallen, historical world, the dynamics of the interaction of the divine Persons in eternity - Persons who now draw human beings within their range. Those gains in understanding are then applied to the individual mysteries of the life of Christ, from his biological conception to his coming Parousia. For each mystery, Nichols describes a biblical preamble; an account of how the mystery is seen by the Liturgy and the Fathers of the Church; illumination from the three theological masters whom the author makes his own in this work - Aquinas, Balthasar and Bulgakov;- and a visual image drawn from the treasury of sacred art.

This study explores the way in which, by way of the Christian mysteries, divine action impacts human life. The triune God acts in Jesus Christ by means of historical events whose effects transcend time and which are mediated through their celebration in memorial and worship. Drawing on both Evangelical and Catholic writers, Nichols provides evidence that the general portrait of Jesus found in the Pauline letters and the four Gospels rests on reliable historical witness. On this basis, he offers a concise Christology which presents Jesus Christ as the fulfillment of the Messianic hope of the Old Testament; explores his unique being as laid out in the teaching of the great Ecumenical Councils of the first Christian millennium, and describes how the classic theologian of the Latin tradition, St Thomas Aquinas, sees the chief historical events of Christ's life as affecting humanity throughout future time. Nichols then looks at the Christian concept of God - namely, Trinitarian monotheism. God so conceived can act efficaciously in the created order and does so by the deployment of his Word and Spirit in ways which express for a fallen, historical world, the dynamics of the interaction of the divine Persons in eternity - Persons who now draw human beings within their range. Those gains in understanding are then applied to the individual mysteries of the life of Christ, from his biological conception to his coming Parousia. For each mystery, Nichols describes a biblical preamble; an account of how the mystery is seen by the Liturgy and the Fathers of the Church; illumination from the three theological masters whom the author makes his own in this work - Aquinas, Balthasar and Bulgakov;- and a visual image drawn from the treasury of sacred art.

This book explores the Liturgy as the manifestation by cultic signs of Christian revelation, the 'setting' of the Liturgy in terms of architectural space, iconography and music, and the poetic response which the revelation the Liturgy carries can produce. The conclusion offers a synthetic statement of the unity of religion, cosmology and art. Aidan Nichols makes the case for Christianity's capacity to inspire high culture - both in principle and through well-chosen historical examples which draw on the best in Catholicism, Eastern Orthodoxy and Anglicanism.

At a time if division and crisis in the Church of England, its identity and mission have come into question as never before. Its own members, but also the wider community of Christians in both East and West, need to understand its history and the reasons for its present crisis, as well as the distinctive contribution it can make to the Great Church of the future. Aidan Nichols provides a clear summary and analysis of the history of the Church of England by way of a sensitive appraisal of its rich theological tradition. This also gives the reader a firm grasp of the context of the issues currently being discussed by the Anglican-Roman Catholic International Commission. Aidan Nichols, O.P. is a member of the Dominican community at Blackfriars, Cambridge. He is the author is Rome and the Eastern Churches, The Shape of Catholic Theology and many other books.

Aidan Nichols' timely book is the first full-scale investigation of Joseph Ratzinger's theology in its development from the 1950s to the present day. It presents a chronological account of the development of Ratzinger's writing which reflects a wide range of historical and theoretical interests such as: Augustine's ecclesiology; early Franciscanism and the idea of salvation history; Christian brotherhood; the unfolding of the Second Vatican Council; commenting on the Apostles' Creed; explorations of the concept of the Church; preaching, liturgy and Church music; eschatology; the foundations of dogmatic and moral theology; the Church and politics; ecumenism, and the problem of pluralism. This book is a comprehensive introduction to a figure who is in his own right, quite apart from his significance in the politics of the Church, a major German Catholic theologian of the twentieth century. This new edition provides an amplification of the existing chapters by reference to books and articles produced by Joseph Ratzinger between 1986/1987 and his election as Pope in 2005. This is especially important in the area of the Liturgy, where his 1999 study "The Spirit of the Liturgy" takes further his critique of contemporary Western Catholic worship and his call for a new liturgical movement which would aim to 'reform the Reform'. Nichols also includes two wholly new chapters devoted to Ratzinger's writings on Judaism, Islam and other religions, as well as secularization and the future of Europe.