This book explores the Liturgy as the manifestation by cultic signs
of Christian revelation, the 'setting' of the Liturgy in terms of
architectural space, iconography and music, and the poetic response
which the revelation the Liturgy carries can produce. The
conclusion offers a synthetic statement of the unity of religion,
cosmology and art. Aidan Nichols makes the case for Christianity's
capacity to inspire high culture - both in principle and through
well-chosen historical examples which draw on the best in
Catholicism, Eastern Orthodoxy and Anglicanism.
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