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Showing 1 - 11 of 11 matches in All Departments
When instruments are harmoniously joined together, beautiful music ensues. Just as in a classic symphony, life often occurs in phases, or movements. In his creative comparison Symphony #1 in a Minor Key, literary exegete Alan Block shares his philosophies on four movements reflected in his own life, each loosely modeled on a different musical form linked to the emotions of a life both fully lived and joyously celebrated. In the first movement, "Sonata Allegro," Block juxtaposes biblical stories with personal experiences as he explores the contradictory nature of what it means to leave home in search of another home. In the second movement, representing a slow march to and from the grave, he focuses his examination on the funerals of three very different people from a Jewish perspective. In strong contrast, Block presents a glimpse into his absurd daily world in the third movement, punctuated by jokes and commentary. Finally, he shares a celebration of life and hope inspired by the final movement of Beethoven's Seventh Symphony, encouraging others to be open to the sublime and realize that none of our worlds is perfect. Symphony #1 in a Minor Key shares one man's reflections as he offers a fascinating meditation on life, death, and everything in between.
Before Enron, before Arthur Anderson, and before Worldcom, there was the Bank of New York money laundering scandal, which hit headlines in 1999. Promising to be one of the most important books on international organized crime, money laundering, and the complicity between legitimate and illegitimate businesses in both the United States and the former Soviet Union, among other places, during the last decade of the 20th century, All Is Clouded by Desire examines the criminal dealings the led to the revelation that the Bank of New York's Eastern European Division laundered $6 billion for Russian organized criminals and other shady organizations and individuals. In a series of intrigues that involved crooked Geneva banker Bruce Rappaport and high-level members of the Bank of New York, criminal Russian organizations were able to thrive and prosper during a time when the rest of the former Soviet Union crumbled amidst growing corruption and a declining economy. Tracing the financial shenanigans back many years, Block and Weaver illustrate how the underworld of high finance, money laundering, mafia groups, CIA operatives, and legitimate banking institutions can clean dirty money and operate criminal enterprises that span the globe. Block and Weaver carefully assemble a vivid examination of the world of "hot money" in the arena of international banking and the roles played by Intelligence, the politically connected, and the criminally inclined. Focusing on the intensely private Genava banker Bruce Rappaport and the Bank of New York, the authors show how the two worked together with dodgy Russian banks to move and launder billions through channels that include off-shore banks, shadyjoint-ventures, and outright criminal organizations. Relying on primary sources from the logs of the institutions involved, interviews with British Intelligence operatives and former CIA officers, secret discussions with private detectives handling the infamous Marc Rich tax case, and material collected by two private detective agencies in London and New York, the book exposes the various machinations that were instrumental in completing the financial schemes that would ultimately cause the downfall of two top Bank of New York executives.
This is the story of organized crime's penetration of the islands and the corruption of its high officials during the time The Bahamas become politically independent of Great Britain. It describes secret U.S. Internal Revenue Service operations aimed at American criminals involved in Bahamian-based tax scams and similar crimes. Block paints a devastating picture of a symbiotic relationship among off-shore tax havens in The Bahamas, sophisticated American criminals, and complacent public officials in the United States. During the 1960s and 1970s, the I.R.S. launched major investigations into American organized crime and the subterranean economy of The Bahamas. Block's access to the private papers of many of the key players in these affairs has given him a unique perspective. He has uncovered details of crime, corruption, and bureaucratic infighting within and among the U.S. Treasury and Justice Departments that have been largely unrecognized by previous researchers. Block shows how important links in the international traffic in cocaine were forged in the Bahamas, in full view of American officials. Masters of Paradise raises major questions about American law enforcement officials' commitment to fighting complex international crime during the 1960s and the 1970s. While there have been other studies of tax havens, money laundering, and offshore investigations, Block's access to information and his grasp of its meaning is unique. Professionals interested in the history and sociology of organized crime and the underground economy will find this book eye-opening. General readers interested in organized crime and political corruption will find it absorbing.
This book explores the practical and psychological factors that regulate teaching and learning in the classroom, and illustrates how hope and creativity may arise out of unforeseen, non-standard, or turbulent conditions. Written at the intersection of curriculum theory and psychoanalysis, this volume offers an original pedagogical stance that seeks to ameliorate the impact of the classroom's regulated and standardized environment. The author's approach to classroom education suggests that teachers investigate students' psychological entanglements to explain and transform difficult classroom experiences into productive, educative ones. By promoting an ethos of ironic engagement in teaching and learning, this book also demonstrates the importance of playfulness, imagination, and a readiness to make mistakes in classroom settings. This book will be of great interest to graduate and postgraduate students, researchers, academics, and policy makers in the fields of curriculum studies, teacher education, educational psychology and classroom management.
This is the story of organized crime's penetration of the islands and the corruption of its high officials during the time The Bahamas become politically independent of Great Britain. It describes secret U.S. Internal Revenue Service operations aimed at American criminals involved in Bahamian-based tax scams and similar crimes. Block paints a devastating picture of a symbiotic relationship among off-shore tax havens in The Bahamas, sophisticated American criminals, and complacent public officials in the United States. During the 1960s and 1970s, the I.R.S. launched major investigations into American organized crime and the subterranean economy of The Bahamas. Block's access to the private papers of many of the key players in these affairs has given him a unique perspective. He has uncovered details of crime, corruption, and bureaucratic infighting within and among the U.S. Treasury and Justice Departments that have been largely unrecognized by previous researchers. Block shows how important links in the international traffic in cocaine were forged in the Bahamas, in full view of American officials. Masters of Paradise raises major questions about American law enforcement officials' commitment to fighting complex international crime during the 1960s and the 1970s. While there have been other studies of tax havens, money laundering, and offshore investigations, Block's access to information and his grasp of its meaning is unique. Professionals interested in the history and sociology of organized crime and the underground economy will find this book eye-opening. General readers interested in organized crime and political corruption will find it absorbing.
'Combining postmodern critiques with whole language hopes, Alan Block routs the psychologists and pedagogues who have occupied American reading instruction for nearly a century and points out a way in which we can come to know ourselves and the world through reading.'--Patrick Shannon, Professor
Most research on organized crime reveals only a limited sense of its history. Our understanding suffers as a result. Space, Time, and Organized Crime shows how arguments about the sources, consequences, and extent of crime are distorted as a consequence of crude empiricism. Originally published in Europe in 1991 as Perspectives on Organizing Crime, this book is a timely blend of history, criticism, and research. Fully one-fourth of this new edition contains hitherto unpublished materials especially relevant to the American experience. Space, Time, and Organized Crime describes the background of Progressive Era New York. It then broadens its scope by exploring the changes in drug production and distribution in Europe from about 1925 to the mid-1930s. Block addresses such little explored issues as the ethnicity of traders, the structure of drug syndicates, and the impact of legislation that attempted to criminalize increasing aspects of the world's narcotic industry prior to the Second World War. He then goes on to present organized crime's involvement with transnational political movements, intelligence services, and political murders. Space, Time, and Organized Crime concentrates on ambiguities evident in organized crime control, such as the U.S. Internal Revenue Service's protection of criminal off-shore financial interests, and the contradictions found in America's war on drugs. Space, Time, and Organized Crime demonstrates that the essential nature of crime in the twentieth century (regardless of where it takes place) cannot be understood without sound historical studies and a more sophisticated criminological approach. Block's unique blend of stratification in a historical context will be of special interest to historians, sociologists, criminologists, and penologist.
This book explores the practical and psychological factors that regulate teaching and learning in the classroom, and illustrates how hope and creativity may arise out of unforeseen, non-standard, or turbulent conditions. Written at the intersection of curriculum theory and psychoanalysis, this volume offers an original pedagogical stance that seeks to ameliorate the impact of the classroom's regulated and standardized environment. The author's approach to classroom education suggests that teachers investigate students' psychological entanglements to explain and transform difficult classroom experiences into productive, educative ones. By promoting an ethos of ironic engagement in teaching and learning, this book also demonstrates the importance of playfulness, imagination, and a readiness to make mistakes in classroom settings. This book will be of great interest to graduate and postgraduate students, researchers, academics, and policy makers in the fields of curriculum studies, teacher education, educational psychology and classroom management.
When instruments are harmoniously joined together, beautiful music ensues. Just as in a classic symphony, life often occurs in phases, or movements. In his creative comparison Symphony #1 in a Minor Key, literary exegete Alan Block shares his philosophies on four movements reflected in his own life, each loosely modeled on a different musical form linked to the emotions of a life both fully lived and joyously celebrated. In the first movement, "Sonata Allegro," Block juxtaposes biblical stories with personal experiences as he explores the contradictory nature of what it means to leave home in search of another home. In the second movement, representing a slow march to and from the grave, he focuses his examination on the funerals of three very different people from a Jewish perspective. In strong contrast, Block presents a glimpse into his absurd daily world in the third movement, punctuated by jokes and commentary. Finally, he shares a celebration of life and hope inspired by the final movement of Beethoven's Seventh Symphony, encouraging others to be open to the sublime and realize that none of our worlds is perfect. Symphony #1 in a Minor Key shares one man's reflections as he offers a fascinating meditation on life, death, and everything in between.
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