A BBC RADIO 2 BOOK CLUB PICK 'Fast, funny and furious, this book has bags of humour, bags of heart and a proper murder mystery at its core' Janice Hallett Claire and Sophie aren't your typical murder investigators . . . When 30-something freelance medium Claire Hendricks is invited to an old university friend's country pile to provide entertainment for a family party, her best friend Sophie tags along. In fact, Sophie rarely leaves Claire's side, because she's been haunting her ever since she was murdered at the age of seventeen. On arrival at The Cloisters it quickly becomes clear that this family is hiding more than just the good china, as Claire learns someone has recently met an untimely end at the house. Teaming up with the least unbearable members of the Wellington-Forge family - depressive ex-cop Basher and teenage radical Alex - Claire and Sophie determine to figure out not just whodunnit, but who they killed, why and when. Together they must race against incompetence to find the murderer - before the murderer finds them... in this funny, modern, media-literate mystery for the My Favourite Murder generation.

This volume revisits Genette's definition of the printed book's liminal devices, or paratexts, as 'thresholds of interpretation' by focussing specifically on translations produced in Britain in the early age of print (1473-1660). At a time when translation played a major role in shaping English and Scottish literary culture, paratexts afforded translators and their printers a privileged space in which to advertise their activities, display their social and ideological affiliations, influence literary tastes, and fashion Britain's representations of the cultural 'other'. Written by an international team of scholars of translation and material culture, the ten essays in the volume examine the various material shapes, textual forms, and cultural uses of paratexts as markers (and makers) of cultural exchange in early modern Britain. The collection will be of interest to scholars of early modern translation, print, and literary culture, and, more broadly, to those studying the material and cultural aspects of text production and circulation in early modern Europe.

This book explores the complex interrelationship between fact and fiction in narratives of the twenty-first century. Current cultural theory observes a cultural shift away from postmodernism to new forms of expression. Rather than a radical break from the postmodern, however, postmodernist techniques are repurposed to express a new sincerity, a purposeful self-reflexivity, a contemporary sense of togetherness and an associated commitment to reality. In what the editors consider to be one manifestation of this general tendency, this book explores the ways in which contemporary texts across different media play with the boundary between fact and fiction. This includes the examination of novels, autobiography, autofiction, film, television, mockumentary, digital fiction, advertising campaigns and media hoaxes. The chapters engage with theories of what comes after postmodernism and analyse the narratological, stylistic and/or semiotic devices on which such texts rely. The chapters in this book were originally published as a special issue of the European Journal of English Studies.

Written for and read on a computer screen, digital fiction pursues its verbal, discursive and conceptual complexity through the digital medium. It is fiction whose structure, form and meaning are dictated by the digital context in which it is produced and requires analytical approaches that are sensitive to its status as a digital artifact. Analyzing Digital Fiction offers a collection of pioneering analyses based on replicable methodological frameworks. Chapters include analyses of hypertext fiction, Flash fiction, Twitter fiction and videogames with approaches taken from narratology, stylistics, semiotics and ludology. Essays propose ways in which digital environments can expand, challenge and test the limits of literary theories which have, until recently, predominantly been based on models and analyses of print texts.

Written for and read on a computer screen, digital fiction pursues its verbal, discursive and conceptual complexity through the digital medium. It is fiction whose structure, form and meaning are dictated by the digital context in which it is produced and requires analytical approaches that are sensitive to its status as a digital artifact. Analyzing Digital Fiction offers a collection of pioneering analyses based on replicable methodological frameworks. Chapters include analyses of hypertext fiction, Flash fiction, Twitter fiction and videogames with approaches taken from narratology, stylistics, semiotics and ludology. Essays propose ways in which digital environments can expand, challenge and test the limits of literary theories which have, until recently, predominantly been based on models and analyses of print texts.

This book explores the complex interrelationship between fact and fiction in narratives of the twenty-first century. Current cultural theory observes a cultural shift away from postmodernism to new forms of expression. Rather than a radical break from the postmodern, however, postmodernist techniques are repurposed to express a new sincerity, a purposeful self-reflexivity, a contemporary sense of togetherness and an associated commitment to reality. In what the editors consider to be one manifestation of this general tendency, this book explores the ways in which contemporary texts across different media play with the boundary between fact and fiction. This includes the examination of novels, autobiography, autofiction, film, television, mockumentary, digital fiction, advertising campaigns and media hoaxes. The chapters engage with theories of what comes after postmodernism and analyse the narratological, stylistic and/or semiotic devices on which such texts rely. The chapters in this book were originally published as a special issue of the European Journal of English Studies.

Did you know the link between carbon dioxide and global warming was first suggested in the 1850s? Climate change books are usually about the future, but Our Biggest Experiment turns instead asks how did we get into this mess, and how and when did we work out it was happening? Join Alice Bell on a rip-roaring ride through the characters, ideas, technologies and experiments that shaped the climate crisis we now find ourselves in. From an emerging idea of 'greenhouse gases' in the 19th century and, via scientific expeditions across oceans and ice caps and into space, the coining of the term 'global warming' in the 1970s, Bell explores how we began to realise that not only could human pollution dangerously warm the climate, but that it was already doing so. Drop by the first climate talks, weather forecasts and early experiments. Watch excitement over solar and wind power start in the 1870s, only to be forgotten before being rediscovered a century later. See the monster of big oil slain by a plucky investigative journalist back in the 1910s, only tore-emerge more powerful than ever. However, this isn't a simple story with exploitative fossil-fuel baddies on one side and the goodies of renewable energy, environmentalism and climate science on the other. It's more complex than that. As citizens of the 21st century, we've been left an almighty mess, but as this ultimately hopeful book argues, we've also inherited the tools for our survival.

This volume revisits Genette's definition of the printed book's liminal devices, or paratexts, as 'thresholds of interpretation' by focussing specifically on translations produced in Britain in the early age of print (1473-1660). At a time when translation played a major role in shaping English and Scottish literary culture, paratexts afforded translators and their printers a privileged space in which to advertise their activities, display their social and ideological affiliations, influence literary tastes, and fashion Britain's representations of the cultural 'other'. Written by an international team of scholars of translation and material culture, the ten essays in the volume examine the various material shapes, textual forms, and cultural uses of paratexts as markers (and makers) of cultural exchange in early modern Britain. The collection will be of interest to scholars of early modern translation, print, and literary culture, and, more broadly, to those studying the material and cultural aspects of text production and circulation in early modern Europe.

Emily's Story: Through a Dairy Window is a true tale about a young girl, in her teens, going into service on a farm in the north of England. This story gives an account of her day-to-day life as a skivvy in the 1930's.

Why am I still single? Why do I struggle to form long-lasting relationships? Why do I feel so stuck? In Trust Your Timing, Vogue astrologer Alice Bell shows us how understanding our own astrology can improve our approach to relationships. By guiding us through the basics of reading our birth charts (a map of the stars and planets at the exact moment a person was born), chart synastry and the more advanced areas of prediction, she demonstrates that trusting our timing is a key tool in developing self-acceptance. Informative, lively and comforting - whether you're new to astrology or have been practicing for years - this book will help you better understand yourself and your relationships through the lens of astrology, no matter what stage of life you find yourself in.

The notion of possible worlds has played a decisive role in postclassical narratology by awakening interest in the nature of fictionality and in emphasizing the notion of world as a source of aesthetic experience in narrative texts. As a theory concerned with the opposition between the actual world that we belong to and possible worlds created by the imagination, possible worlds theory has made significant contributions to narratology. Possible Worlds Theory and Contemporary Narratology updates the field of possible worlds theory and postclassical narratology by developing this theoretical framework further and applying it to a range of contemporary literary narratives. This volume systematically outlines the theoretical underpinnings of the possible worlds approach, provides updated methods for analyzing fictional narrative, and profiles those methods via the analysis of a range of different texts, including contemporary fiction, digital fiction, video games, graphic novels, historical narratives, and dramatic texts. Through the variety of its contributions, including those by three originators of the subject area—Lubomír Doležel, Thomas Pavel, and Marie-Laure Ryan—Possible Worlds Theory and Contemporary Narratology demonstrates the vitality and versatility of one of the most vibrant strands of contemporary narrative theory.