This book explores a range of contemporary performance practices that engage spectators physically and emotionally through active engagement and critical involvement. It considers how risk has been re-configured, re-presented and re-packaged for new audiences with a thirst for performances that promote, encourage and embrace risky encounters in a variety of forms. The collection brings together established voices on performance and risk research and draws them into conversation with next generation academic-practitioners in a dynamic reappraisal of what it means to risk oneself through the act of making and participating in performance practice. It takes into account the work of other performance scholars for whom risk and precarity are central concerns, but seeks to move the debate forwards in response to a rapidly changing world where risk is higher on the political, economic and cultural agenda than ever before.

This book explores a range of contemporary performance practices that engage spectators physically and emotionally through active engagement and critical involvement. It considers how risk has been re-configured, re-presented and re-packaged for new audiences with a thirst for performances that promote, encourage and embrace risky encounters in a variety of forms. The collection brings together established voices on performance and risk research and draws them into conversation with next generation academic-practitioners in a dynamic reappraisal of what it means to risk oneself through the act of making and participating in performance practice. It takes into account the work of other performance scholars for whom risk and precarity are central concerns, but seeks to move the debate forwards in response to a rapidly changing world where risk is higher on the political, economic and cultural agenda than ever before.

This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

General Books publication date: 2009 Original publication date: 1913 Original Publisher: Rand McNally Subjects: Storytelling Children's stories Education / Elementary Education / Teaching Methods

Eleanor Baldwin is about to embark on a grand adventure. In a few weeks' time, she and her family will leave their small town of Lancaster, Pennsylvania, and travel to Oregon to join her aunt and uncle.

Eleanor can hardly contain her excitement, and the day finally arrives when they are to leave. On the train ride, her father becomes ill with the flu, and the family has to stay in St. Louis. Eleanor worries about Papa, especially when so many other people are becoming sick with what is called "influenza." But her father gets well, and the family sets off for Oregon once more.

Back on the train, Eleanor's mother realizes she left all their money in the hotel in St. Louis. What will they do now? The money was for their house, their food, and Eleanor's new pet goat! Will Eleanor and her family be able to build a new life in Oregon?