This title offers a critical introduction to the contemporary American novel focusing on contexts, key texts, and criticism. Adventurous, engaging and politically urgent, contemporary American novels have come to enjoy a particular prestige and, through university courses, film adaptations and cultural controversies, a global circulation. This book provides a critical introduction to novels produced in the United States between 1980 and the present. Compact yet wide-ranging, and written in vivid, accessible prose, it registers the diversity of contemporary American writing and carefully situates this work in historical contexts that include Reaganomics, the Clinton years and the post-9/11 'War on Terror'. Detailed attention is given throughout to how America's current novelists have responded to shifting gender politics, changes in the nation's racial configuration, the increasing dominance of a commodity culture and to adjustments in the United States' place in the world following the end of the Cold War and the increased pace of globalisation. Complete with timelines of historical and literary events, detailed lists of secondary sources both in print and on the web, and suggestions for students' own research projects, this is the ideal resource for anyone beginning study of this vibrant literature. "Texts and Contexts" is a series of clear, concise and accessible introductions to key literary fields and concepts. The series provides the literary, critical, historical context for texts and authors in a specific literary area in a way that introduces a range of work in the field and enables further independent study and reading.

Violence from Slavery to #BlackLivesMatter brings together perspectives on violence and its representation in African American history from slavery to the present moment. Contributors explore how violence, signifying both an instrument of the white majority's power and a modality of black resistance, has been understood and articulated in primary materials that range from slave narrative through "lynching plays" and Richard Wright's fiction to contemporary activist poetry, and from photography of African American suffering through Blaxploitation cinema and Spike Lee's films to rap lyrics and performances. Diverse both in their period coverage and their choice of medium for discussion, the 11 essays are unified by a shared concern to unpack violence's multiple meanings for black America. Underlying the collection, too, is not only the desire to memorialize past moments of black American suffering and resistance, but, in politically timely fashion, to explore their connections to our current conjuncture.

American Studies: The Basics is an accessible and concise introduction that aims to unpack what American studies does and why it matters. From Moby-Dick to baseball, Hollywood westerns to #BlackLivesMatter, and Disneyland to the U.S. Supreme Court, American studies engages with a myriad of topics in its efforts to understand what the French sociologist Jean Baudrillard called 'social and cultural America.' The book begins by considering how America was studied before American studies' emergence as a recognized discipline in the mid-twentieth century. Successive chapters then explore the rise of American studies, its varied subjects, its distinctive methods of research, its geographical framing, and its politics. Throughout the book, explanatory examples are drawn from across American history and culture. Photographs are examined alongside novels, and historical monuments discussed next to films. The text offers an ideal way into an exciting academic subject of continuing growth and relevance. This book is a must read for those studying and with an interest in American studies.

Beginning film studies offers the ideal introduction to this vibrant subject. Written accessibly and with verve, it ranges across the key topics and manifold approaches to film studies. Andrew Dix has thoroughly updated the first edition, and this new volume includes new case studies, overviews of recent developments in the discipline, and up-to-the-minute suggestions for further reading. The book begins by considering some of film's formal features - mise-en-scene, editing and sound - before moving outwards to narrative, genre, authorship, stardom and ideology. Later chapters on film industries and on film consumption - where and how we watch movies - assess the discipline's recent geographical 'turn'. The book references many film cultures, including Hollywood, Bollywood and contemporary Hong Kong. Case studies cover such topics as sound in The Great Gatsby and narrative in Inception. The superhero movie is studied; so too is Jennifer Lawrence. Beginning film studies is also interactive, with readers enabled throughout to reflect critically upon the field. -- .

American Studies: The Basics is an accessible and concise introduction that aims to unpack what American studies does and why it matters. From Moby-Dick to baseball, Hollywood westerns to #BlackLivesMatter, and Disneyland to the U.S. Supreme Court, American studies engages with a myriad of topics in its efforts to understand what the French sociologist Jean Baudrillard called 'social and cultural America.' The book begins by considering how America was studied before American studies' emergence as a recognized discipline in the mid-twentieth century. Successive chapters then explore the rise of American studies, its varied subjects, its distinctive methods of research, its geographical framing, and its politics. Throughout the book, explanatory examples are drawn from across American history and culture. Photographs are examined alongside novels, and historical monuments discussed next to films. The text offers an ideal way into an exciting academic subject of continuing growth and relevance. This book is a must read for those studying and with an interest in American studies.

Violence from Slavery to #BlackLivesMatter brings together perspectives on violence and its representation in African American history from slavery to the present moment. Contributors explore how violence, signifying both an instrument of the white majority's power and a modality of black resistance, has been understood and articulated in primary materials that range from slave narrative through "lynching plays" and Richard Wright's fiction to contemporary activist poetry, and from photography of African American suffering through Blaxploitation cinema and Spike Lee's films to rap lyrics and performances. Diverse both in their period coverage and their choice of medium for discussion, the 11 essays are unified by a shared concern to unpack violence's multiple meanings for black America. Underlying the collection, too, is not only the desire to memorialize past moments of black American suffering and resistance, but, in politically timely fashion, to explore their connections to our current conjuncture.

Tim Davis is a fizzled out director of sales for a leading advertising sales company. A possible heart attack forces him to confront his life's priorities. Tim discovers how to "Fire Up!" his life by learning how to use his God-given strengths and talents more effectively. A simple book of matches sparks Tim to live a satisfying life. This business fiction book will show you how Life Matches: Fire Up Your Life!

Beginning film studies offers the most lucid, thorough and up-to-the-minute introduction to this popular subject. Written with verve and wit, it reviews a wealth of significant trends in the discipline's past and present, and looks ahead to new directions for film studies. The discussions are enlivened by references to film cultures as diverse as 'classical' Hollywood, the French 'New Wave' and India, to stars like Johnny Depp, genres such as noir, romance and action, it also examines more 'geographical' turns such as production and consumption. Each chapter concentrates on the essential elements, and each contains full bibliographies, stop and think sections and lists of appropriate websites. Comprehensive and entertaining, it is sure to take its place alongside the popular and bestselling titles already published in this series. -- .

This is a critical introduction to the contemporary American novel focusing on contexts, key texts and criticism. Adventurous, engaging and politically urgent, contemporary American novels have come to enjoy a particular prestige and, through university courses, film adaptations and cultural controversies, a global circulation. This book provides a critical introduction to novels produced in the United States between 1980 and the present. Compact yet wide-ranging, and written in vivid, accessible prose, it registers the diversity of contemporary American writing and carefully situates this work in historical contexts that include Reaganomics, the Clinton years and the post-9/11 'War on Terror'. Detailed attention is given throughout to how America's current novelists have responded to shifting gender politics, changes in the nation's racial configuration, the increasing dominance of a commodity culture and to adjustments in the United States's place in the world following the end of the Cold War and the increased pace of globalisation. Complete with timelines of historical and literary events, detailed lists of secondary sources both in print and on the web, and suggestions for students' own research projects, this is the ideal resource for anyone beginning study of this vibrant literature. "Texts and Contexts" is a series of clear, concise and accessible introductions to key literary fields and concepts. The series provides the literary, critical, historical context for texts and authors in a specific literary area in a way that introduces a range of work in the field and enables further independent study and reading.