Books > Humanities > Religion & beliefs > Aspects of religions (non-Christian) > Theology
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Figures of Heresy - Radical Theology in English and American Writing, 1800-2000 (Hardcover, New)
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Figures of Heresy - Radical Theology in English and American Writing, 1800-2000 (Hardcover, New)
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'God is dead,' Nietzsche famously declared in The Gay Science; but
this book will investigate God's surprising persistence and
resurrection in the works of even the most seemingly atheistic of
writers, who continue to deploy Judaic and Christian narratives and
tropes even as they radically rewrite them in the face of new
cultural, political and scientific imperatives. Contributors
explore the range, power and implication of Christian and Jewish
heresies in canonical Anglo-American writers -- including Edgar
Allan Poe, Thomas Hardy, Robert Louis Stevenson, T S Eliot, John
Steinbeck and Jim Crace -- as well as in some less familiar texts:
the Mormon Scriptures of Joseph Smith and various Victorian
rewritings of the Book of Esther. A polemical essay by Michelene
Wandor reflects on conceptions of Jewishness, which she finds in
need of heretical renewal. Valentine Cunningham's provocative
introduction argues that the acts of literary writing and reading
are necessarily heretical. A coda to the book, 'Between Heresy and
Superstition', takes as its motto Thomas Huxley's observation in
1881 that 'It is the customary fate of new truths to begin as
heresies and to end as superstitions.';Contributions offer readers
a rare opportunity of witnessing an extended academic exchange --
exploring the process by which former heresies may indeed risk
ossification as new kinds of doctrinal conformity. Bryan Cheyette's
critique of the 'Christian Albums' of Bob Dylan is answered by
Kevin Mills's essay which uncovers heretical possibility even in
this most seemingly orthodox part of Dylan's work. The
revitalisation of heresy in literary interpretations, as well as in
our religious thinking, forms the guiding objective of this
exciting critical book.
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