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Books > Humanities > Religion & beliefs > Aspects of religions (non-Christian) > Theology
The Russian school of modern Orthodox theology has made an immense
but undervalued contribution to Christian thought. Neglected in
Western theology, and viewed with suspicion by some other schools
of Orthodox theology, its three greatest thinkers have laid the
foundations for a new ecumenism and a recovery of the cosmic
dimension of Christianity. This ground-breaking study includes
biographical sketches of Aleksandr Bukharev (Archimandrite Feodor),
Vladimir Soloviev and Sergii Bulgakov, together with the necessary
historical background. Professor Valliere then examines the
creative ideas they devised or adapted, including the ?humanity of
God?, sophiology, panhumanity, free theocracy, church-and-world
dogmatics and prophetic ecumenism.
‘In the beginning was the Word,’ says the Gospel of John. This
sentence – and the words of all four gospels – is central to
the teachings of the Christian church and has shaped Western art,
literature and language, and the Western mind. Yet in the years
after the death of Christ there was not merely one word, nor any
consensus as to who Jesus was or why he had mattered. There were
many different Jesuses, among them the aggressive Jesus who scorned
his parents and crippled those who opposed him, the Jesus who sold
his twin into slavery and the Jesus who had someone crucified in
his stead. Moreover, in the early years of the first millennium
there were many other saviours, many sons of gods who healed the
sick and cured the lame. But as Christianity spread, they were
pronounced unacceptable – even heretical – and they faded from
view. Now, in Heretic, Catherine Nixey tells their extraordinary
story, one of contingency, chance and plurality. It is a story
about what might have been.
Ever since its composition in the ninth century, the use of the
Veni Creator in the liturgy of Pentecost and in Christian
assemblies has been constant, as one continuous, solemn invocation
of the Paraclete. Its language, however, is far removed from
theological discourse but inspired by symbol, image and song, by
poetry and liturgy, by prophecy and living models of holiness. The
author is one of the foremost specialists in the theology of the
Spirit. He has the master’s art of drawing the reader by
communicating his own enthusiasm for the Holy Spirit.
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