The Critical Heritage series gathers together a large body of critical sources on major figures in literature. Each volume presents contemporary responses to a writer's work, enabling students and researchers to read for themselves, for example, comments on early performances of Shakespeare's plays, or reactions to the first publication of Jane Austen's novels. The selected sources range from important essays in the history of criticism to journalism and contemporary opinion, as well as documentary material such as letters and diaries. Each volume contains an introduction to the writer's published works, a selected bibliography, and an index of works, authors and subjects. The Critical Heritage is available as a set of 67 volumes, as mini- sets selected by period (in slipcase boxes), or as individual volumes.

The Critical Heritage gathers together a large body of critical sources on major figures in literature. Each volume presents contempoprary responses to a writer's work, enabling students and researchers to read the material themselves.

The wittiest and yet most accessible writing in mid-seventeeth-century England, Andrew Marvell's poetry is both passionate and brillant, erotic and comic, cool courtly and seductive. The friend. admirer and supporter of Milton, Marvell was also a very great poet in his own right. Described by a contemporary as 'of middling stature, pretty strong-set, of roundish face, cherry-cheeked, hazel-eyed, brown-haired he was a man of the people and a brillant intellectual. The fact that he was both a republican and the admired favourite of Charles II indicates the breadth of his sympathies.