This book traces the emergence and development of Literature and the Bible as a field of scholarship, presenting key critical essays alongside more recent criticism that explores new directions. The Western literary tradition has a long and complex relationship with the Jewish and Christian scriptures. Authors draw on the Bible in numerous ways and for different reasons, and there is also the myriad of subconscious ways through which the biblical text enters literary culture. Biblical stories, characters, motifs and references permeate the whole of the literary tradition. In the last thirty years there has been a growth of critical interest in this relationship. In Literature and the Bible: A Reader the editors bring together a selection of the key critical and theoretical materials from this time, providing a comprehensive resource for students and scholars. Each chapter contains: * An introduction from the editors, contextualising the material within and alerting readers to some of the historic debates that feed into the extracts chosen * A set of previously published extracts of substantial length, offering greater contextualisation and allowing the Reader to be used flexibly * Lists of further reading, providing readers with a wide variety of other sources and perspectives. Designed to be used alongside the Bible and selected literary texts, this book is essential reading for anyone studying Literature and the Bible in undergraduate English, Religion and Theology degrees.

This book traces the emergence and development of Literature and the Bible as a field of scholarship, presenting key critical essays alongside more recent criticism that explores new directions. The Western literary tradition has a long and complex relationship with the Jewish and Christian scriptures. Authors draw on the Bible in numerous ways and for different reasons, and there is also the myriad of subconscious ways through which the biblical text enters literary culture. Biblical stories, characters, motifs and references permeate the whole of the literary tradition. In the last thirty years there has been a growth of critical interest in this relationship. In Literature and the Bible: A Reader the editors bring together a selection of the key critical and theoretical materials from this time, providing a comprehensive resource for students and scholars. Each chapter contains: * An introduction from the editors, contextualising the material within and alerting readers to some of the historic debates that feed into the extracts chosen * A set of previously published extracts of substantial length, offering greater contextualisation and allowing the Reader to be used flexibly * Lists of further reading, providing readers with a wide variety of other sources and perspectives. Designed to be used alongside the Bible and selected literary texts, this book is essential reading for anyone studying Literature and the Bible in undergraduate English, Religion and Theology degrees.

A collection of essays that perceive Updike's America through the eyes of Western and Eastern European readers and scholars, contributing to Updike scholarship while demonstrating his resonance across the Atlantic. From the publication in 1958 of his first book, The Carpentered Hen and Other Tame Creatures, the American writer John Updike attracted an international readership. His books have been translated into twenty-three languages. He had a strong following in the United Kingdom, where his books were routinely reviewed in all the leading national newspapers. In Germany, France, Italy, and other countries too, his books were discussed in major publications. Although Updike died in 2009, interest in his writing remains strong among European scholars. They are active in the John Updike Society and on the John Updike Review (which began publishing in 2011). During the past four decades, several Europeans have influenced the study of Updike worldwide. No recent volume, however, collects diverse European views on his oeuvre. The current book fills that void, presenting essays that perceive Updike's renditions of America through the eyes of scholar-readers from both Western and Eastern Europe. Contributors: Kasia Boddy, Teresa Botelho, Biljana Dojcinovic, Brian Duffy, Karin Ikas, Ulla Kriebernegg, Sylvie Mathe, Judie Newman, Sue Norton, Andrew Tate, Aristi Trendel, Eva-Sabine Zehelein. Laurence W. Mazzeno is President Emeritus of Alvernia University. Sue Norton is a Lecturer in English at the Dublin Institute of Technology.

This book is the first full-length study of Douglas Coupland, one of the twenty-first century's most innovative and influential novelists. The study explores the prolific first decade and a half of Coupland's career, from Generation X: Tales for an Accelerated Culture (1991) to JPod (2006), a period in which he published ten novels and four significant volumes of non-fiction. Emerging in the last decade of the twentieth century - amidst the absurd contradictions of instantaneous global communication and acute poverty - Coupland's novels, short stories, essays and visual art have intervened in specifically contemporary debates regarding authenticity, artifice and art. This book explores Coupland's response, in ground-breaking novels such as Microserfs, Girlfriend in a Coma and Miss Wyoming, to some of the most pressing issues of our times. Designed for students, researchers and general readers alike, the study is structured around thematically focused chapters that consider Coupland's engagement with narrative, consumer culture, space, religion and ideas of the future. -- .

Visions of post-apocalyptic worlds have proved to be irresistible for many 21st-century writers, from literary novelists to fantasy and young adult writers. Exploring a wide range of texts, from the works of Margaret Atwood, Cormac McCarthy, Tom Perrotta and Emily St. John Mandel to young adult novels such as Suzanne Collins's The Hunger Games series, this is the first critical introduction to contemporary apocalyptic fiction. Exploring the cultural and political contexts of these writings and their echoes in popular media, Apocalyptic Fiction also examines how contemporary apocalyptic texts looks back to earlier writings by the likes of Mary Shelley, H.G. Wells and J.G. Ballard. Apocalyptic Fiction includes an annotated guide to secondary readings, making this an essential guide for students of contemporary fiction at all levels.

The New Atheist Novel is the first study of a major new genre of contemporary fiction. It examines how Richard Dawkins's so-called 'New Atheism' movement has caught the imagination of four eminent modern novelists: Ian McEwan, Martin Amis, Salman Rushdie and Philip Pullman. For McEwan and his contemporaries, the contemporary novel represents a new front in the ideological war against religion, religious fundamentalism and, after 9/11, religious terror: the novel apparently stands for everything freedom, individuality, rationality and even a secular experience of the transcendental that religion seeks to overthrow. In this book, Bradley and Tate offer a genealogy of the New Atheist Novel: where it comes from, what needs it serves and, most importantly, where it may go in the future. What is it? How does it dramatise the war between belief and non-belief? To what extent does it represent a genuine ideological alternative to the religious imaginary or does it merely repeat it in secularised form? This fascinating study offers an incisive critique of this contemporary testament of literary belief and unbelief.

How does contemporary fiction engage with the claims and ideas of Christian theology? Can 'secular fictions' accommodate transcendent experiences or encounters with the divine? Does belief continue to influence the shape of fiction in any meaningful way? This study argues against the idea that the 'postmodern condition' of late twentieth and early twenty-first century culture has undermined the close and creative association between religious practice and literature. It suggests that the novel, as a major narrative genre of contemporary western culture, has become an increasingly vital, dynamic and problematic space for engaging with the sacred.Tate examines the work of more than a dozen contemporary Anglo-American novelists, including John Updike, Douglas Coupland, John Irving, Michele Roberts, Don DeLillo and Jim Crace. He shows how the 'sacred turn' in western culture is manifested within the novel from the 1980s to the present, paying particular attention to representations of such theological ideas as the miraculous, the heretical, the apocalyptic and the messianic.

Visions of post-apocalyptic worlds have proved to be irresistible for many 21st-century writers, from literary novelists to fantasy and young adult writers. Exploring a wide range of texts, from the works of Margaret Atwood, Cormac McCarthy, Tom Perrotta and Emily St. John Mandel to young adult novels such as Suzanne Collins's The Hunger Games series, this is the first critical introduction to contemporary apocalyptic fiction. Exploring the cultural and political contexts of these writings and their echoes in popular media, Apocalyptic Fiction also examines how contemporary apocalyptic texts looks back to earlier writings by the likes of Mary Shelley, H.G. Wells and J.G. Ballard. Apocalyptic Fiction includes an annotated guide to secondary readings, making this an essential guide for students of contemporary fiction at all levels.

This book is the first full-length study of Douglas Coupland, one of the twenty-first century's most innovative and influential novelists. The study explores the prolific first decade and a half of Coupland's career, from Generation X: Tales for an Accelerated Culture (1991) to JPod (2006), a period in which he published ten novels and four significant volumes of non-fiction. Emerging in the last decade of the twentieth century - amidst the absurd contradictions of instantaneous global communication and acute poverty - Coupland's novels, short stories, essays and visual art have intervened in specifically contemporary debates regarding authenticity, artifice and art. This book explores Coupland's response, in ground-breaking novels such as Microserfs, Girlfriend in a Coma and Miss Wyoming, to some of the most pressing issues of our times. Designed for students, researchers and general readers alike, the study is structured around thematically focused chapters that consider Coupland's engagement with narrative, consumer culture, space, religion and ideas of the future. -- .

This book provides a detailed exploration of the spiritual and religious contexts and subtexts of contemporary fiction. How does contemporary fiction engage with the claims and ideas of Christian theology? Can 'secular fictions' accommodate transcendent experiences or encounters with the divine? Does belief continue to influence the shape of fiction in any meaningful way? This study argues against the idea that the 'postmodern condition' of late twentieth and early twenty-first century culture has undermined the close and creative association between religious practice and literature. It suggests that the novel, as a major narrative genre of contemporary western culture, has become an increasingly vital, dynamic and problematic space for engaging with the sacred. Tate examines the work of more than a dozen contemporary Anglo-American novelists, including John Updike, Douglas Coupland, John Irving, Michele Roberts, Don DeLillo and Jim Crace. He shows how the 'sacred turn' in western culture is manifested within the novel from the 1980s to the present, paying particular attention to representations of such theological ideas as the miraculous, the heretical, the apocalyptic and the messianic.

The New Atheist Novel is the first study of a major new genre of contemporary fiction. It examines how Richard Dawkins's so-called New Atheism' movement has caught the imagination of four eminent modern novelists: Ian McEwan, Martin Amis, Salman Rushdie and Philip Pullman. For McEwan and his contemporaries, the contemporary novel represents a new front in the ideological war against religion, religious fundamentalism and, after 9/11, religious terror: the novel apparently stands for everything freedom, individuality, rationality and even a secular experience of the transcendental that religion seeks to overthrow. In this book, Bradley and Tate offer a genealogy of the New Atheist Novel: where it comes from, what needs it serves and, most importantly, where it may go in the future. What is it? How does it dramatise the war between belief and non-belief? To what extent does it represent a genuine ideological alternative to the religious imaginary or does it merely repeat it in secularised form? This fascinating study offers an incisive critique of this contemporary testament of literary belief and unbelief.