To what extent can animals be regarded as part of the moral community? To what extent, if at all, do they have moral rights? Are we wrong to eat them or to hunt them? Is the use of animals for scientific research justified? And can the ideas behind animal liberation be squared with those of the environmental movement? It is Taylor's strong belief that, whatever our own views on these contentious issues may be, we benefit by exploring them more thoroughly, and by understanding and evaluating arguments of those who may disagree with us. He traces the background of these debates from Aristotle to Darwin, and he provides fair-minded commentaries on the positions of contemporary philosophers Peter Singer, Tom Regan, Nel Noddings, Mary Anne Warren, J. Baird Callicott, and numerous others, with ethical theories ranging from utilitarianism to eco-feminism. A precious edition of this book appeared under the title

South African sculptor Angus Taylor, born in Johannesburg in 1970 and alumnus of the University of Pretoria, is known mainly for his monumental works. For these, in addition to the classic bronze, he uses a selection of materials special to his immediate environment: black granite, red jasper, straw, and the red earth of the Pretoria region. In the symbiosis of these materials with traditional artistic craft techniques, distinctly contemporary works arise, which Taylor pioneeringly positions as figurative landmark sculpture. This first-ever monograph on Angus Taylor offers a comprehensive survey of his oeuvre to date. Key works from his entire career since the founding of his studio Dionysus Sculpture Works in 1997 are featured in full colour illustrations throughout. The essays discuss Taylor's methods, practices, and personal philosophies and put his work is context within South Africa's social situation as well as with his own biography. The book offers a much welcomed profound introduction to Angus Taylor's innovative and characteristic body of work.