The way we understand particular spaces is mediated by our perceptions of the difference between the sacred and the profane. Throughout history, different peoples have revered vastly diverse spaces as sacred for vastly diverse reasons.

In Sacred Spaces, Benjamin Z. Kedar and R. J. Zwi Werblowsky have compiled a wide-ranging collection of essays exploring a broad array of ancient and contemporary holy places. The book reviews sacred spaces of the ancient religions--Judaism, Christianity, Islam, and Indian and East-Asian Religions--and discusses how these spaces have been conceptualized and experienced. Chapter topics include an investigation of the role of charismatic dreams in the creation of sacred sites in present-day Israel; an analysis of cities as cultic centers in Germany and Italy during the Middle Ages; a history of the sacred Mount Hiko in Japan; and a study of the Muslim holy cities as foci of Islamic revivalism in the eighteeth century. Sacred Spaces provides readers with original and illuminating examples of the myriad ways in which we perceive and construct sacred space.

Classic representations of the city have focused on simplistic urban dichotomies such as renewal or decline, poverty or prosperity, and vice or vigor. We are left with the question of what actually constitutes a city and what makes it and its people succeed or fail. Recent writing on the city, however, has begun to question the images, metaphors, and discourses through which the contemporary city is represented. Discussing recent visual, architectural and spatial transformations in New York and other major world cities in relation to the themes of ethnicity, capital, and culture, Re-Presenting the City moves between interpretive representations of the newly emerging metropolis and the theoretical and methodological questions raised by the task of such representations. Contributors with backgrounds in urban planning, sociology, cultural studies, architecture, art history, geography, and philosophy reflect on the construction of both the real and the unreal city, the images, metaphors and discourses through which the contemporary city is represented, and the texts which both mediate our experience of, as well as contribute to producing, the city of the future.

First Published in 1984. Routledge is an imprint of Taylor & Francis, an informa company.

Classic representations of the city have focused on simplistic urban dichotomies such as renewal or decline, poverty or prosperity, and vice or vigor. We are left with the question of what actually constitutes a city and what makes it and its people succeed or fail. Recent writing on the city, however, has begun to question the images, metaphors, and discourses through which the contemporary city is represented. Discussing recent visual, architectural and spatial transformations in New York and other major world cities in relation to the themes of ethnicity, capital, and culture, Re-Presenting the City moves between interpretive representations of the newly emerging metropolis and the theoretical and methodological questions raised by the task of such representations. Contributors with backgrounds in urban planning, sociology, cultural studies, architecture, art history, geography, and philosophy reflect on the construction of both the real and the unreal city, the images, metaphors and discourses through which the contemporary city is represented, and the texts which both mediate our experience of, as well as contribute to producing, the city of the future.