The "Samaveda" contains the earliest tradition of music from India. It presents largely Rigvedic textual material in a form arranged for singing in the solemn Srauta ritual. Since the first editions by Theodor Benfey (1848) and Satyavrata Samasrami (1874-1899), there has been no complete, accented edition that also included all its important commentaries. The present edition is based on manuscripts collected from all over India and Europe. B. R. Sharma, Dean of Samaveda Studies, presents the accented text, its Padapatha, and the commentaries of Madhava, Bharata-Svamin, and Sayana in three volumes totaling 2,500 pages. These contain the Purvarcika and Uttaracika portions of the text, and a third volume the indexes and a detailed introduction to the whole work. Vols. 2 and 3 to appear soon.

The "Samaveda" contains the earliest tradition of music from India, which is largely Rigvedic textual material in a form arranged for singing in the solemn Srauta ritual. Since the first editions by Theodor Benfey (1848) and Satyavrata Samasrami (1874-1899), there has been no complete, accented edition that has also included all of its important commentaries. In this work, B. R. Sharma presents an accented edition that is based on manuscripts collected from all over India and Europe. Its "Padapatha," and the commentaries of "Madhava," "Bharatasvamin," and "Sayana" comprise three volumes totaling 2,500 pages. These volumes contain the Purvarcika and Uttararcika portions of the text. The third volume complete with the indexes and a detailed introduction to the whole work will be published soon.

The Death of Art evaluates the philosopher Theodor W. Adorno's ideas on music, visual arts, and literature and their relevance to today's mass culture. Adorno drew concepts and inspiration from fields such as history, historiography, sociology, musicology, anthropology, philosophy, and psychology, which he used in his assessments of art. His varied perspectives resulted in writings that offer shocking glimpses into larger cultural issues. By insisting on opposition and employing an expressionistic writing style, Adorno invited readers to question his authority and formulate their own views. In this work, author B.R. Sharma uses similar tactics to isolate, revisit, and criticize some of Adorno's key philosophies. The result is a comprehensive and clear overview of Adorno's cultural theories that unearths trends pointing to the eventual death of art.