The art of HR Giger (1940-2014), Swiss-born creator of the legendary monster in Ridley Scott's movie Alien, is currently experiencing a renaissance and is featured in exhibitions as well as in magazines around the globe. This lavish large-format volume offers never-before-seen insights into Giger's private house and garden, both of which are populated by biomechanical sculptures, airbrush paintings, Alien furniture, objects, prints, and self-portraits. French photographer Camille Vivier-best known for her work for Stella McCartney and Cartier-enjoyed exclusive access to the artist's Zurich home and studio for this book, where she worked on her own as well as with models in a series of photo sessions. Vivier's around 200 photographs form an atmospheric tribute to the arguably most distinguished representative of Fantastic Realism. In addition to images of Giger's studio and his life-size sculptures, Vivier has also documented some hundred objects and artworks, as well as his famous Alien-style garden railroad. An essay by French publicist Farbrice Paineu places HR Giger's art in the wider context of pop culture and the genre of horror movies. Text in English and German.

Francois Berthoud is known for his painstakingly produced and meticulously arranged linocuts and his expressive drip paintings and elegant computer graphics have graced the face of countless magazines and advertising campaigns for the world s most discerning and sought-after fashion brands including Yves-St-Laurent, Bulgari, Chanel, Givenchy, Sonia Rykiel, and Prada. His work presents the conceptual aspect of fashion, maintaining a strict line between the edge of eroticism which he claims to be all important. Emerging as a leading fashion illustrator and art director in the 80s, Berthoud s distinct style was championed by the legendary Anna Piaggi early on in her avant-garde publication Vanity that was published by Conde Nast. She hailed him by saying that while Francois illustrates fashion in an apparently formal and decorative way, in reality he analyses his subject in depth and with an elegant sense of detachment before recreating it in his atelier-laboratory . He experiences fashion with a sharp sense of irony and a visual culture rooted in conceptual art. But his style is totally now! Berthoud has a reputation for romantic fashion illustration and for erotica (he was the illustrator for Betony Vernon s The Boudoir Bible) and where the two often overlap. Featuring essays by Chris Dercon and Daniele Barbieri, the book concludes with a conversation with Franc?ois Berthoud transcribed by Christian Ka?mmerling.