* Award-winning playwright explores classroom bullying and teachers' responses. * Includes Teachers' Resources to aid structured discussion and exploration of the themes raised in schools, colleges and beyond. Care Takers is part of an Edge Hill University (Birmingham, UK) research project on homophobia. The team invites everyone, after seeing or reading (or both!) the play, to give feedback by completing the online survey, here (10 minutes). * Care Takers included on a programme of International Health and Humanities Conference, Health Humanities: Creative Practices as Care (September 2016): a growing worldwide interdisciplinary dialogue across diverse communities of arts and humanities academics and practitioners, clinicians, informal carers, service users and the self-caring public. Conference details are here. * The play is great for use as a source text for all those interested in the impact of creative practices in health, psychological well-being and enhancing social inclusion of people. Includes: hospitals, social and community centres, mental health centres, schools, and museums.

Political theatre thrives on turbulence. By turning the political issues of the day into a potent, dramatic art form, its practitioners hold up a mirror to our society - with the power to shock, discomfit and entertain. Scenes from the Revolution is a celebration of fifty years of political theatre in Britain. Including 'lost' scripts from companies including Broadside Mobile Workers Theatre, The Women's Theatre Group and The General Will, with incisive commentary from contemporary political theatre makers, the book asks the essential questions: What can be learnt from our rich history of political theatre? And how might contemporary practitioners apply these approaches to our current politically troubled world? Beginning with a short history of pre-1968 political theatre - covering Brecht, Joan Littlewood and Ewan McColl - the editors move on to explore agit-prop, working-class theatre, theatre in education, theatre and race, women's theatre and LGBTQ theatre. Featuring many of the leading voices in the field, then and now, Scenes from the Revolution is a must-read for anyone interested in politics in the arts.

Political theatre thrives on turbulence. By turning the political issues of the day into a potent, dramatic art form, its practitioners hold up a mirror to our society - with the power to shock, discomfit and entertain. Scenes from the Revolution is a celebration of fifty years of political theatre in Britain. Including 'lost' scripts from companies including Broadside Mobile Workers Theatre, The Women's Theatre Group and The General Will, with incisive commentary from contemporary political theatre makers, the book asks the essential questions: What can be learnt from our rich history of political theatre? And how might contemporary practitioners apply these approaches to our current politically troubled world? Beginning with a short history of pre-1968 political theatre - covering Brecht, Joan Littlewood and Ewan McColl - the editors move on to explore agit-prop, working-class theatre, theatre in education, theatre and race, women's theatre and LGBTQ theatre. Featuring many of the leading voices in the field, then and now, Scenes from the Revolution is a must-read for anyone interested in politics in the arts.