First Contact is just that, a place for teen or adult readers, to make a first foray into the world of science fiction and fantasy. There are classics in each category, as well as current titles popular with both younger and older teens. The designations M J S stand for either middle school, grades 6-8, junior high school, grades 7-8, or senior high school, grades 10-12. Rather than a comprehensive selection tool, this volume is a beginning reader's advisory book, a key to unlock the delicious array of imaginative writings that one finds in these challenging genres.

Young adult (or YA) literature and publishing are not simply flourishing. They represent perhaps the fastest-growing field of all. With graphic novels and so-called crossover works like the Harry Potter series selling in the tens of millions, the field of YA literature is one of the most dynamic and exciting in the U.S. and Canada. YA is increasingly an international phenomenon as well. "The Continuum Encyclopedia of Young Adult Literature" is the only reference guide to this phenomenon in any language. It is a collaborative effort by 200 authorities who contribute some 650 original, signed entries. These key contributors include: Michael Cart, Ken Donelson, Danny Fingeroth Ted Hipple, Teri Lesesne, Alleen Nilsen, Hazel Rochman, Stephanie Svirin, and many others. (Some are subjects of entries themselves.) Among the authors and educators written about are: Judy Blume, Robert Cormier, Chris Crutcher, Will Eisner, James Cross Giblin, Karen Hesse, S. E. Hinton, Robert Lipsyte, Lois Lowry, Linda Sue Park, Gary Paulsen, Richard Peck, Philip Pullman, Louise Rosenblatt, J. K. Rowling, Art Spiegelman, Dorothy Strickland, J. R. R. Tolkien, and many others. A considerable effort is made to include authors and graphic-novel artists who are not found in any other reference work on adult or children's literature. Another special feature is the topical article. These often include up-and-coming figures that are not covered in their own entry. There are 75 topical articles, including African American Literature; Asian American Literature; Australian Literature; Canadian Literature; "Crossovers"; "Death and Dying"; "Fantasy"; "Feminist Fairy Tales"; "The Graphic Novel"; Harry Potter - "Not Just for Kids Anymore"; Horror; Latina/Latino Literature; "The Lord of the Rings" and "Beyond"; New Zealand Literature; Science Fiction and Crossovers; Superheroes of the 1960s and Stan Lee; Witches and Dragons; Tween and Teen; Yesterday, Today, and Tomorrow; and others. For easy reference, "The Continuum Encyclopedia of Young Adult Literature" features an appendix listing major-award winners as well as an index of names cross-referenced to entries where applicable.

It's no secret that the fantasy genre has undergone a tremendous renaissance since the publication of the Harry Potter books and the recent successes of the film versions of The Lord of the Rings. Fantasy is one of the hottest genres going today, appealing to readers both young and old. This new guide focuses on titles that have come out of the recent publishing explosion in the fantasy arena. The authors organize and describe approximately 2,000 titles, most new to or newly described in this edition. A revised organization reflects the growth and trends in the genre, and all titles (except individual titles within series) are annotated.

Tamora Pierce has a large following of teen and adult readers, who savor her fantasy novels with strong female characters. This volume provides her readers and fans with additional insights into her life and work. The first section provides a biographical chapter and literary heritage. The second and third sections analyze the Tales of Tortall and the Magic Circle Sagas as a whole, providing details into the characters and settings of each. The final section of the book, Perspectives, includes both a section on literary techniques along with an interview of Tamora Pierce herself. Appendices include a section on Power Female Heroes and Fantasy Adventures. NOvels include: *The Song of the Lioness Quartet *The Immortals Quartet *The Protector of the Small Quartet *The Trickster Duology *The Magic Circle Quartet *The Circle Opens Quartet *The Will of the Empress

Vibrant, dynamic teen book clubs-the kind teens eagerly anticipate and attend session after session-are teen-centered. With innovative, pragmatic ideas that will attract and retain teen readers, this guide provides everything you need to run a successful, teen-centered book club. Covering every step, from planning and promoting to how to prompt discussion and keep it civilized, this is a one-stop source for the teen book club leader. Dozens of reproducibles for teens include book lists, ground rules, and book-based activities. The book even has directions for evaluating your club and lists of resources for more information. Whether you're starting a teen book club, trying to revive a flagging program, or wish to build on past success, if you're involved in a teen book club, this guide is a must. What's the difference between a teen book club and an adult one? Too often, the answer is Not much. Like so many programs for teens, traditional book clubs tend to be scaled-down versions of adult clubs. If book selection, taboo topics, and logistical details are the most important things that set your teen book club apart from an adult one, you could be missing a huge opportunity. Vibrant, dynamic teen book clubs-the kind teens eagerly anticipate and attend session after session-are teen-centered. They're not merely by, for and about teens, but are grounded in the admittedly radical idea that the club is not primarily about library programming or even about books (!) but is all about teens-their interests and needs, their social habits and styles, their initiative. Books are the medium and the club is the method to achieve the ultimate goal of developing teen readers and leaders. Furthermore, the teen-centered book club has huge potential to further a whole range of library goals, from bringing more teen patrons through the door, to building community-wide awareness and support for the library itself. What sets this book apart from the typical book club guide is that it is the only guide that addresses the unique constraints of public and school libraries-budgeting, impact on the facility and the collection, and potential attempts at censorship, to name just a few. It's also the only guide that takes a teen-centered approach, putting front-and-center the idea that, as with so many other things, book clubs for teens are not merely scaled-back versions of adult clubs. Whether you are starting a club, attempting to revive a flagging program, or building on past success, this manual offers you innovative, pragmatic ideas that will attract and retain teen readers. Grades 6-12. Teen Book Clubs offers a fresh new approach for today's teen readers and clear instructions, along with tips and ideas, for building teen-centered book clubs. In 12 brief chapters the book covers: the teen-centered book club: what it is and what it takes to make it work putting it together: planning and putting the plan in action going public: recruiting, boosting visibility, garnering support 15 cunningly creative types of teen book clubs using book club to develop teen leaders scads of book lists, reproducibles, and sample discussion prompters tweaking, troubleshooting, and tips for keeping it civilized evaluations beyond measure resources for more information. Filled with practical checklists, figures, worksheets, and reproducibles, this is the guide that all teen book club leaders should have.