Shomer Yisra'el: Die tweede Libanese oorlog breek uit en Marc word opgeroep. Hul persoonlike krisis verdiep wanneer hulle besef dat Rivkah weer swanger is.

Tiferet Yisra'el: Elke keer wanneer Marc vrees ervaar raak hy bewus van die teenwoordigheid van die Heilige by hom. Hy worstel met sy eie bitterheid wanneer sy ma ’n slagoffer van Suid-Afrika se misdaadprobleem word.

Marc se ou kunsdosent Simon kom kuier en hulle wys die hele land vir hom. Ma se Mara en haar oppasser Anna kom kuier in Jerusalem en Mara begin al meer haar Joodse afkoms verwelkom. Dit is Yoshi se bar mitzvah? Die dae is vir die Kriges soms donker, maar soms ook wondermooi. Shir-HaShirim - 'n hooglied? Dikwels nie. Tog is daar altyd 'n lied om te sing. Die hooglied van Israel is die elfde boek in die reeks. 

In our world, stories matter. Methods and systems are beneficial because they provide structure and help keep us on the right road; but the motivation and courage to keep walking the road, come from the stories we hear and see and experience-stories that inspire hope and bring us face-to-face with God. For ministers, the call to preach is a call into a story that forms and shapes us. It's about stumbling into revelation as life unwinds and scripture unfolds. It's about listening to God's voice and then sharing it with others. It's about recognizing that when people gather to hear a sermon, God speaks. And it's about understanding that when He speaks, He speaks through you. Preaching the Story That Shapes Us is more than a textbook on preaching. It's an empowering call for preachers to present a picture of the kingdom of God already at work among us, recognizing that the work of preaching is not just about arranging words--it's about people. With elegant prose and crafted reason, Dan Boone weaves together scripture, personal narrative, structure, and theological reflection to provide a satisfying, efficient guide to narrative preaching. From exploring the importance of biography to walking readers through creative processes that shape the sermon, Boone shows preachers how to awaken lives and share the stories of God that reveal who we are and lead us to who we will be.

Henok kry ’n verrassing wanneer sy vrou in Israel kom kuier. Re’uven se pyn oor sy eersgeborene se dood lê nog vlak. Dit laat Marc wonder of hy Adonai nog sal kan liefhê as dit hom sou tref. Hy voel verskeur tussen sy gesin en sy ma met haar eie hartseer in Suid-Afrika. Tog vind hy troos in die wete dat Adonai se weë ver bo ons verstand verhewe is.

Many voices speaking today about the end times sound a lot like Chicken Little: they prophesy doom and destruction, the Antichrist and Armageddon. All this apocalyptic speculation creates an atmosphere of sensationalism and dread--but the Revelation of Jesus to John was meant to bring hope. Too many Christians have become hesitant to study this book of the Bible because of the confusion that surrounds it. But as an experienced pastor, Dan Boone affirms that any child of God can read and understand the truth of Revelation. His friendly, conversational style brings the message of Revelation into the idiom of life in our contemporary world. This book will help readers understand: The context of the Revelation and what it meant to the churches of that day The characteristics of apocalyptic and prophetic literature and how they are meant to be read The application that this important book of the Bible holds for our lives today Answers for Chicken Little gives a responsible interpretation of Revelation that replaces predictions of doom with a compelling vision of who Jesus is and of His message about living as a redeemed people with hope for the future.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Marc, 'n sensitiewe jong Suid-Afrikaanse kunstenaar, gaan na Jerusalem om sy Joodse ouma te ontmoet en sy eie Joodse wortels na te speur. Hy vind so sterk aanklank by die Joodse geloof dat hy verstrengel raak in 'n geloofstryd. Te midde van geweld en selfmoord-bomaanvalle kry hy Rivkah, die dapper Jodin, lief. Terug in Suid-Afrika moet hy die chaos in sy hart probeer orden: Sien hy kans om sy aan sy met geweld en onrus in Israel te leef? Die is die eerste roman in die gewilde Israel-reeks.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.