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Reverberations of Dissent - Identity and Expression in Iran's Illegal Music Scene (Hardcover, New): Bronwen Robertson Reverberations of Dissent - Identity and Expression in Iran's Illegal Music Scene (Hardcover, New)
Bronwen Robertson
R4,575 Discovery Miles 45 750 Ships in 12 - 17 working days

Beneath the ever-changing and unstable political climate of Iran lies a rich youth culture centered around rock music. Reaching beyond a social, historical and political overview of music, Bronwen Robertson looks deeper and seeks to decipher how members of the underground scene invent and express different versions of 'being Iranian, ' through the production and distribution of their music. Robertson spent a year undercover in Tehran conducting research and interviews within this complex and fascinating culture. While the author explores each individual's relationship to their music, she also demonstrates how the underground scene as a whole becomes an expression of collective and anti-authoritarian identities. Robertson discusses concepts ranging from inspiration and ingenuity to the notion of being 'global, ' and how these musicians perceive their political and artistic impact. This illuminating work demonstrates that rock music, a global genre, gains significance as it is performed in a local context, disrupting pre-conceived notions of what it means to be 'Iranian.' >

Reverberations of Dissent - Identity and Expression in Iran's Illegal Music Scene (Paperback, New): Bronwen Robertson Reverberations of Dissent - Identity and Expression in Iran's Illegal Music Scene (Paperback, New)
Bronwen Robertson
R1,398 Discovery Miles 13 980 Ships in 10 - 15 working days

Beneath the ever-changing and unstable political climate of Iran lies a rich youth culture centered around rock music. Reaching beyond a social, historical and political overview of music, Bronwen Robertson looks deeper and seeks to decipher how members of the underground scene invent and express different versions of 'being Iranian, ' through the production and distribution of their music. Robertson spent a year undercover in Tehran conducting research and interviews within this complex and fascinating culture. While the author explores each individual's relationship to their music, she also demonstrates how the underground scene as a whole becomes an expression of collective and anti-authoritarian identities. Robertson discusses concepts ranging from inspiration and ingenuity to the notion of being 'global, ' and how these musicians perceive their political and artistic impact. This illuminating work demonstrates that rock music, a global genre, gains significance as it is performed in a local context, disrupting pre-conceived notions of what it means to be 'Iranian.'

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