Beneath the ever-changing and unstable political climate of Iran
lies a rich youth culture centered around rock music. Reaching
beyond a social, historical and political overview of music,
Bronwen Robertson looks deeper and seeks to decipher how members of
the underground scene invent and express different versions of
'being Iranian, ' through the production and distribution of their
music. Robertson spent a year undercover in Tehran conducting
research and interviews within this complex and fascinating
culture. While the author explores each individual's relationship
to their music, she also demonstrates how the underground scene as
a whole becomes an expression of collective and anti-authoritarian
identities. Robertson discusses concepts ranging from inspiration
and ingenuity to the notion of being 'global, ' and how these
musicians perceive their political and artistic impact. This
illuminating work demonstrates that rock music, a global genre,
gains significance as it is performed in a local context,
disrupting pre-conceived notions of what it means to be 'Iranian.'
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