This book examines the questions "What can science do for the theatre?" and "What can the theatre do for science?" which raise challenges for both theatre professionals and scientists. Unusually, this book deals with plays first and foremost as reading material - as texts to be read alone or in dramatic readings - rather than emphasizing performances on the stage. Concrete examples are given to demonstrate the potential pedagogic value of using the dialogic style and plot structure of plays in science, with a special focus on chemistry.Very few books have dealt with the subject of science-in-theatre and virtually none with chemistry-in-theatre. Texts of the author's two recent plays, Insufficiency and Phallacy, are included in their entirety to offer concrete examples of plays dealing with actual (rather than invented) chemistry. Insufficiency represents an example from the field of beer and champagne bubbles, where the topics of academic tenure and fashion in chemistry are analyzed, whereas in Phallacy, a case history of the similarities and differences between science and art is presented for debate.

These are the reflections of a nonagenarian polymath describing the shift from a fifty-year-long career as a world-famous chemist to a subsequent twenty-five-year immersion in "science-in-fiction" and "science-in-theater," which is virtually unique among contemporary scientists. Sharply self-critical, yet full of humor, this autobiographical account covers themes such as the future of sex in an age of technological reproduction, the history of the Pill seen through the eyes of one of its inventors, innovative - even unique - pedagogic experiments, the insoluble homelessness of a refugee, suicide, and art collecting. This book is also heavily illustrated with 94 individual pictures.

This book examines the questions "What can science do for the theatre?" and "What can the theatre do for science?" which raise challenges for both theatre professionals and scientists. Unusually, this book deals with plays first and foremost as reading material - as texts to be read alone or in dramatic readings - rather than emphasizing performances on the stage. Concrete examples are given to demonstrate the potential pedagogic value of using the dialogic style and plot structure of plays in science, with a special focus on chemistry.Very few books have dealt with the subject of science-in-theatre and virtually none with chemistry-in-theatre. Texts of the author's two recent plays, Insufficiency and Phallacy, are included in their entirety to offer concrete examples of plays dealing with actual (rather than invented) chemistry. Insufficiency represents an example from the field of beer and champagne bubbles, where the topics of academic tenure and fashion in chemistry are analyzed, whereas in Phallacy, a case history of the similarities and differences between science and art is presented for debate.

These are the reflections of a nonagenarian polymath describing the shift from a fifty-year-long career as a world-famous chemist to a subsequent twenty-five-year immersion in "science-in-fiction" and "science-in-theater," which is virtually unique among contemporary scientists. Sharply self-critical, yet full of humor, this autobiographical account covers themes such as the future of sex in an age of technological reproduction, the history of the Pill seen through the eyes of one of its inventors, innovative - even unique - pedagogic experiments, the insoluble homelessness of a refugee, suicide, and art collecting. This book is also heavily illustrated with 94 individual pictures.

"This book features a CD of rarely performed music, including a specially commissioned rap by Erik Weiner of Walter Benjamin's "Thesis on the Philosophy of History." "

Theodor W. Adorno was the prototypical German Jewish non-Jew, Walter Benjamin vacillated between German Jew and Jewish German, Gershom Scholem was a committed Zionist, and Arnold Sch?nberg converted to Protestantism for professional reasons but later returned to Judaism. Carl Djerassi, himself a refugee from Hitler's Austria, dramatizes a dialogue between these four men in which they discuss fraternity, religious identity, and legacy as well as reveal aspects of their lives-notably their relations with their wives-that many have ignored, underemphasized, or misrepresented.

The desire for canonization and the process by which it is obtained are the underlying themes of this dialogue, with emphasis on Paul Klee's "Angelus Novus "(1920), a canonized work that resonated deeply with Benjamin, Adorno, and Scholem (and for which Djerassi and Gabrielle Seethaler present a revisionist and richly illustrated interpretation). Basing his dialogue on extensive archival research and interviews, Djerassi concludes with a daring speculation on the putative contents of Benjamin's famous briefcase, which disappeared upon his suicide.

On October 15, 1951, in a small laboratory in Mexico City, one of the key episodes in 20th century social history occurred: the first synthesis of a steroid oral contraceptive--an event that triggered the development of the Pill. Carl Djerassi has been honored worldwide for that accomplishment, which ultimately changed the life of women and the nature of human reproduction in ways that were not then foreseeable.
Now, on the 50th anniversary of this pivotal event, Djerassi weaves a compelling personal narrative full of self-reflection and humor, illuminating the impact this invention has had on the world at large and on him personally. This Man's Pill presents a forcefully revisionist account of the early history of the Pill, debunking many of the journalistic and romantic accounts of its scientific origin. Djerassi does not shrink from exploring why we have no Pill for men or why Japan only approved the Pill in 1999 (together with Viagra). Emphasizing that development of the Pill occurred during the post-War period of technological euphoria, he believes that it could not be repeated in today's climate. Would the sexual revolution of the 1960s or the impending separation of sex ("in bed") and fertilization ("under the microscope") still have happened?
Djerassi also credits the Pill with radically altering his life, allowing him to become one of the few American chemists to have a second career, that of a novelist and playwright. These talents are clearly evident in This Man's Pill, a superbly written and uniquely authoritative account of a discovery that changed the world.

A compelling novel based on the high-stakes biotech industry and the science behind Viagra from the internationally known "Father of the Pill." The fourth installment of Carl Djerassi's pioneering "science-in-fiction" tetralogy tells the story of a husband and wife team who devise new solutions to problems associated with sex and reproduction. Renu Krishnan is an Indian-born, American-educated scientist who discovers how NO (nitric oxide) can help men with erectile dysfunction-the scientific rationale behind Viagra. At the same time, her husband, Israeli scientist Jephtah Cohn, develops a new approach to ovulation prediction, which is also based on factual research. When Wall street gets wind of their discoveries, the couple catapults in the fast paced world of lawyers and IPOs, where scientists are now a hot commodity. Deftly exploring the demanding worlds of academia and high finance, Djerassi brings back many characters from his three earlier novels for a satisfying conclusion.

At the age of 68, distinguished Princeton science professor Max Weiss is bribed into taking an early retirement. He takes an ingenious revenge in the form of "Doctor Diana Skordylis"--a pseudonym for a partnership among Weiss and three aging colleagues. Their soaring success is unanticipated and professional jealousy soon threatens Diana Skordylis's life. "A beautifully ingenious, funny, brilliantly inteligent and moving tale of very human scientists. A splendid novel".--Iris Murdoch.

When Professor Isidore Cantor reveals his latest breakthrough in cancer research, the scientific community is galvanized. Cantor's most promising research fellow, Dr. Jeremiah Stafford, has only to conduct the experiment that will prove the brilliant hypothesis and win cantor the Nobel Prize. But how far will the young assistant go to guarantee the results?