"This book features a CD of rarely performed music, including a
specially commissioned rap by Erik Weiner of Walter Benjamin's
"Thesis on the Philosophy of History." "
Theodor W. Adorno was the prototypical German Jewish non-Jew,
Walter Benjamin vacillated between German Jew and Jewish German,
Gershom Scholem was a committed Zionist, and Arnold Sch?nberg
converted to Protestantism for professional reasons but later
returned to Judaism. Carl Djerassi, himself a refugee from Hitler's
Austria, dramatizes a dialogue between these four men in which they
discuss fraternity, religious identity, and legacy as well as
reveal aspects of their lives-notably their relations with their
wives-that many have ignored, underemphasized, or
misrepresented.
The desire for canonization and the process by which it is
obtained are the underlying themes of this dialogue, with emphasis
on Paul Klee's "Angelus Novus "(1920), a canonized work that
resonated deeply with Benjamin, Adorno, and Scholem (and for which
Djerassi and Gabrielle Seethaler present a revisionist and richly
illustrated interpretation). Basing his dialogue on extensive
archival research and interviews, Djerassi concludes with a daring
speculation on the putative contents of Benjamin's famous
briefcase, which disappeared upon his suicide.
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