This collection of eleven new essays contains the latest developments in analytic feminist philosophy on the topic of pornography. While honoring early feminist work on the subject, it aims to go beyond speech act analyses of pornography and to reshape the philosophical discourse that surrounds pornography. A rich feminist literature on pornography has emerged since the 1980s, with Rae Langton's speech act theoretic analysis dominating specifically Anglo-American feminist philosophy on pornography. Despite the predominance of this literature, there remain considerable disagreements and precious little agreement on many key issues: What is pornography? Does pornography (as Langton argues) constitute women's subordination and silencing? Does it objectify women in harmful ways? Is pornography authoritative enough to enact women's subordination? Is speech act theory the best way to approach pornography? Given the deep divergences over these questions, the first goal of this collection is to take stock of extant debates in order to clarify key feminist conceptual and political commitments regarding pornography. This volume further aims to go beyond the prevalent speech-acts approach to pornography, and to highlight novel issues in feminist pornography-debates, including the aesthetics of pornography, trans* identities and racialization in pornography, and putatively feminist pornography.

Nietzsche, Kant and the Problem of Metaphysics explores how Nietzsche criticizes, adopts, and reformulates Kant's critique of metaphysics and his transcendental idealism. Thing in itself and phenomenon, space and time, intuition and thought, the I and self-consciousness, concepts and judgments, categories and schemata, teleological judgement: building on established and recent literature on these topics in both thinkers, this volume asks whether Nietzsche can - malgr lui - be considered a Kantian of sorts. Nietzsche's intensive engagement with early Neo-Kantians (Lange, Liebmann, Fischer, von Helmholtz) and other contemporaries of his, largely ignored in the Anglophone literature, is also addressed, raising the question whether Nietzsche's positions on Kant's theoretical philosophy are best understood as historically embedded in the often rather loose relation they had to the first Critique. These and other questions are taken up in Nietzsche, Kant and the Problem of Metaphysics, which in different ways tackles the complexities of Nietzsche's relation to Kant's theoretical philosophy and its reception in nineteenth Century philosophy.

Simone de Beauvoir and Luce Irigaray famously insisted on their philosophical differences, and this mutual insistence has largely guided the reception of their thought. What does it mean to return to Simone de Beauvoir and Luce Irigaray in light of questions and problems of contemporary feminism, including intersectional and queer criticisms of their projects? How should we now take up, amplify, and surpass the horizons opened by their projects? Seeking answers to these questions, the essays in this volume return to Beauvoir and Irigaray to find what the two philosophers share. And as the authors make clear, the richness of Beauvoir and Irigaray's thought far exceeds the reductive parameters of the Eurocentric, bourgeois second-wave debates that have constrained interpretation of their work. The first section of this volume places Beauvoir and Irigaray in critical dialogue, exploring the place of the material and the corporeal in Beauvoir's thought and, in doing so, reading Beauvoir in a framework that goes beyond a theory of gender and the humanism of phenomenology. The essays in the second section of the volume take up the challenge of articulating points of dialogue between the two focal philosophers in logic, ethics, and politics. Combined, these essays resituate Beauvoir and Irigaray's work both historically and in light of contemporary demands, breaking new ground in feminist philosophy.

Ex nihilo nihil fit. Philosophy, especially great philosophy, does not appear out of the blue. In the current volume, a team of top scholars-both up-and-coming and established-attempts to trace the philosophical development of one of the greatest philosophers of all time. Featuring twenty new essays and an introduction, it is the first attempt of its kind in English and its appearance coincides with the recent surge of interest in Spinoza in Anglo-American philosophy. Spinoza's fame-or notoriety-is due primarily to his posthumously published magnum opus, the Ethics, and, to a lesser extent, to the 1670 Theological-Political Treatise. Few readers take the time to study his early works carefully. If they do, they are likely to encounter some surprising claims, which often diverge from, or even utterly contradict, the doctrines of the Ethics. Consider just a few of these assertions: that God acts from absolute freedom of will, that God is a whole, that there are no modes in God, that extension is divisible and hence cannot be an attribute of God, and that the intellectual and corporeal substances are modes in relation to God. Yet, though these claims reveal some tension between the early works and the Ethics, there is also a clear continuity between them. Spinoza wrote the Ethics over a long period of time, which spanned most of his philosophical career. The dates of the early drafts of the Ethics seem to overlap with the assumed dates of the composition of the Treatise on the Emendation of the Intellect and the Short Treatise on God, Man, and His Well Being and precede the publication of Spinoza's 1663 book on Descartes' Principles of Philosophy. For this reason, a study of Spinoza's early works (and correspondence) can illuminate the nature of the problems Spinoza addresses in the Ethics, insofar as the views expressed in the early works help us reconstruct the development and genealogy of the Ethics. Indeed, if we keep in mind the common dictum "nothing comes from nothing "-which Spinoza frequently cites and appeals to-it is clear that great works like the Ethics do not appear ex nihilo. In light of the preeminence and majesty of the Ethics, it is difficult to study the early works without having the Ethics in sight. Still, we would venture to say that the value of Spinoza's early works is not at all limited to their being stations on the road leading to the Ethics. A teleological attitude of such a sort would celebrate the works of the "mature Spinoza " at the expense of the early works. However, we have no reason to assume that on all issues the views of the Ethics are better argued, developed, and motivated than those of the early works. In other words, we should keep our minds open to the possibility that on some issues the early works might contain better analysis and argumentation than the Ethics.

Colin Wilson revitalised existentialism with a completely new approach to the philosophy. The six volumes of his 'Outsider' series created an existentialism that is not paralysed by its own nihilism. This book, first published in 1966, is a clear summary of the ideas of the 'Outsider' cycle, and also develops them to a new stage. Wilson's 'new existentialism' sees philosophy as an intellectual adventure that aims at a real command and control of human existence, and this book is its clearest exponent.

Plato's "Phaedo", Hegel's "Phenomenology of Spirit" and Heidegger's "Being and Time" are three of the most profound meditations on variations of the ideas that to practice philosophy is to practice how to die. This study traces how these variations are connected with each other and with the reflections of this idea to be found in the works of other ancient and modern philosophers - including Neitzsche, Husserl, Sartre, Merleau-Ponty and levinas. The book also shows how this philosophical thanatology motivates or is motivated by experiences documented in psychoanalysis and in the anthropology of Western and Oriental religions and myths.

In George Berkeley's two most important works, the Principles of Human Knowledge and Three Dialogues Bewtween Hylas and Philonous, he argued that there is no such thing as matter: only minds and ideas exist, and physical things are nothing but collections of ideas. In defense of this idealism, he advanced a battery of challenging arguments purporting to show that the very notion of matter is self-contradictory or meaningless, and that even if it were possible for matter to exist, we could not know that it does; and he then put forward an alternative world-view that purported to refute both skepticism and atheism.
Using the tools of contemporary analytic philosophy, Georges Dicker here examines both the destructive and the constructive sides of Berkeley's thought, against the background of the mainstream views that he rejected. Dicker's accessible and text-based analysis of Berkeley's arguments shows that the Priniciples and the Dialogues dovetail and complement each other in a seamless way, rather than being self-contained. Dicker's book avoids the incompleteness that results from studying just one of his two main works; instead, he treats the whole as a visionary response to the issues of modern philosophy- such as primary and secondary qualities, external-world skepticism, the substance-property relation, the causal roles of human agents and of God. In addition to relating Berkeley's work to his contemporaries, Dicker discusses work by today's top Berkeley scholars, and uses notions and distinctions forged by recent and contemporary analytic philosophers of perception. Berkeley's Idealism both advances Berkeley scholarship and serves as a useful guide for teachers and students.

The English philosopher Herbert Spencer (1820 - 1903) was a colossus of the Victorian age. His works ranked alongside those of Darwin and Marx in the development of disciplines as wide ranging as sociology, anthropology, political theory, philosophy and psychology. In this acclaimed study of Spencer, the first for over thirty years and now available in paperback, Mark Francis provides an authoritative and meticulously researched intellectual biography of this remarkable man that dispels the plethora of misinformation surrounding Spencer and shines new light on the broader cultural history of the nineteenth century. In this major study of Spencer, the first for over thirty years, Mark Francis provides an authoritative and meticulously researched intellectual biography of this remarkable man. Using archival material and contemporary printed sources, Francis creates a fascinating portrait of a human being whose philosophical and scientific system was a unique attempt to explain modern life in all its biological, psychological and sociological forms. Herbert Spencer and the Invention of Modern Life fills what is perhaps the last big biographical gap in Victorian history. An exceptional work of scholarship it not only dispels the plethora of misinformation surrounding Spencer but shines new light on the broader cultural history of the nineteenth century. Elegantly written, provocative and rich in insight it will be required reading for all students of the period.

One of America's most celebrated poets, Emily Dickinson was virtually unpublished in her lifetime. When a slim volume of her poems emerged on the American scene in 1890, her work created shockwaves that have not subsided yet. Famously precise and sparse, Emily Dickinson's poetry is often described as philosophical, both because her poetry grapples with philosophical topics like death, spirituality, and the darkening operations of the mind, and because she approaches those topics in a characteristically philosophical manner: analyzing and extrapolating from close observation, exploring alternatives, and connecting thoughts into cumulative demonstrations. But unlike Lucretius or Pope, she cannot be accused of producing versified treatises. Many of her poems are unsettling in their lack of conclusion; their disparate insights often stand in conflict; and her logic turns crucially on imagery, juxtaposition, assonance, slant rhyme, and punctuation. The six chapters of this volume collectively argue that Dickinson is an epistemically ambitious poet, who explores fundamental questions by advancing arguments that are designed to convince. Dickinson exemplifies abstract ideas in tangible form and habituates readers into productive trains of thought-she doesn't just make philosophical claims, but demonstrates how poetry can make a distinct contribution to philosophy. All essays in this volume, drawn from both philosophers and literary theorists, serve as a counterpoint to recent critical work, which has emphasized Dickinson's anguished uncertainty, her nonconventional style, and the unsettled status of her manuscripts. On the view that emerges here, knowing is like cleaning, mending, and lacemakingL a form of hard, ongoing work, but one for which poetry is a powerful, perhaps indispensable, tool.

Friedrich Nietzsche has always been recognized as an original thinker, one who stands apart from and outside the philosophical schools and tendencies of his time. This is the way he continually presented himself. Many readers have accepted this self-interpretation at face value. Yet there is another side to Nietzsche's thinking which shows not only an awareness of contemporary writers, but an engagement with their ideas which is often both intense and sustained. The intention of this study is to explore this side in detail, by surveying various themes in his philosophical thinking with such links in mind. It is important to avoid one misunderstanding though: this book is not designed to show that Nietzsche derived his ideas from various other thinkers. In that sense, it is not necessarily about sources or even about influences. Rather, it shows that his independence and originality developed in dialogue with other thinkers. Those qualities are no less real for that reason; in fact the author believes that they can be appreciated all the more by being placed in the context of his relations to other philosophers.

The "Nations" are the "seventy nations": a metaphor which, in the Talmudic idiom, designates the whole of humanity surrounding Israel. In this major collection of essays, Levinas considers Judaism's uncertain relationship to European culture since the Enlightenment, problems of distance and integration. It also includes essays on Franz Rosenzweig and Moses Mendelssohn, and a discussion of central importance to Jewish philosophy in the context of general philosophy. This work brings to the fore the vital encounter between philosophy and Judaism, a hallmark of Levinas's thought.

Cheryl Misak presents the first collective study of the development of philosophy in North America, from the 18th century to the end of the 20th century. Twenty-six leading experts examine distinctive features of American philosophy, trace notable themes, and consider the legacy and influence of notable figures. This will be the first reference point for future work on the subject, and a fascinating resource for anyone interested in modern philosophy or American intellectual history.

Conversations with My Dog by Hannah Gold is a tale for those who love to seek new adventures and the promise of following their dreams, or nose, into the unknown. In a fast-paced world, driven by material achievement and the fear of loss; clarity can seem hard to find. Sometimes answers can come from the most surprising sources. When the author found herself confronted with challenges, she discovered, to her surprise, that wisdom came not from a philosophical master or spiritual guide, but her puppy named Monty. On the road with him, she learns to stop and ask him questions. He answers her through demonstrating the values of simplicity, fun and love of exploration. This description of the conversations that developed between them is a tale about rediscovering direction in life. It gives a light-hearted, gently thought-provoking account of the bigger journey of working out how to live. The search for the way ahead is the metaphor that illustrates the eternal bond of loyalty between a dog and its humanand makes this tale transcend normal conversation. 'Even when we are in small bodies, we have big spirits.' Writes Hannah Gold, relaying the replies of her wise four-legged friend, to her questions about life. 'The very young always know why they are here. Because they haven't forgotten. Sometimes life muddles things up with too many thoughts. But the heart is ageless.' Hannah's illustrations were created from sketches she made of Monty on their travels. These drawings provide a visual tapestry, depicting their journey together to inspire readers in finding their own path. Conversations with My Dog is an ideal companion for people considering significant change or embarking on a new direction, however uncertain, or even just searching for a little extra companionship and inspiration.

Thomas C. Vinci aims to reveal and assess the structure of Kant's argument in the Critique of Pure Reason called the "Transcendental Deduction of the Categories." At the end of the first part of the Deduction in the B-edition Kant states that his purpose is achieved: to show that all intuitions in general are subject to the categories. On the standard reading, this means that all of our mental representations, including those originating in sense-experience, are structured by conceptualization. But this reading encounters an exegetical problem: Kant states in the second part of the Deduction that a major part of what remains to be shown is that empirical intuitions are subject to the categories. How can this be if it has already been shown that intuitions in general are subject to the categories? Vinci calls this the Triviality Problem, and he argues that solving it requires denying the standard reading. In its place he proposes that intuitions in general and empirical intuitions constitute disjoint classes and that, while all intuitions for Kant are unified, there are two kinds of unification: logical unification vs. aesthetic unification. Only the former is due to the categories. A second major theme of the book is that Kant's Idealism comes in two versions-for laws of nature and for objects of empirical intuition-and that demonstrating these versions is the ultimate goal of the Deduction of the Categories and the similarly structured Deduction of the Concepts of Space, respectively. Vinci shows that the Deductions have the argument structure of an inference to the best explanation for correlated domains of explananda, each arrived at by independent applications of Kantian epistemic and geometrical methods.

Frank Jackson champions the cause of conceptual analysis as central to philosophical inquiry. In recent years conceptual analysis has been undervalued and, Jackson suggests, widely misunderstood; he argues that there is nothing especially mysterious about it and a whole range of important questions cannot be productively addressed without it. He anchors his argument in discussion of specific philosophical issues, starting with the metaphysical doctrine of physicalism and moving on, via free will, meaning, personal identity, motion and change, to the philosophy of colour and to ethics. The significance of different kinds of supervenience theses, Kripke and Putnam's work in the philosophy of modality and language, and the role of intuitions about possible cases receive detailed attention. Jackson concludes with a defence of a version of analytical descriptivism in ethics. In this way the book not only offers a methodological programme for philosophy, but also throws fascinating new light on some much-debated problems and their interrelations. puffs which may be quoted (please do not edit without consulting OUP editor): 'This is an outstanding book. It covers a vast amount of philosophy in a very short space, advances a number of original and striking positions, and manages to be both clear and concise in its expositions of other views and forceful in its criticisms of them. The book offers something new for those interested in the various individual problems it discusses-conceptual analysis, the mind-body relation, secondary qualities, modality, and ethical realism. But unifying these individual discussions is an ambitious structure which amounts to an outline of a complete metaphysical system, and an outline of an epistemology for this metaphysics. It is hard to think of a central area of analytic philosophy which will not be touched by Jackson's conclusions.' Tim Crane, Reader in Philosophy, University College London 'The writing is clear, straightforward, and down to earth-the usual virtues one expects from Jackson . . . what he has to say is innovative and valuable . . . the book deals with a large number of apparently diverse philosophical issues, but it is also an elegantly unified work. What gives it unity is the metaphilosophical framework that Jackson works out with great care and persuasiveness. This is the first serious and sustained work on the methodology of metaphysics in recent memory. What he says about the role of conceptual analysis in metaphysics is an important and timely contribution. . . . It is refreshing and heartening to see a first-class analytic philosopher doing some serious metaphilosophical work . . . I think that the book will be greeted as an important event in philosophical publishing.' Jaegwon Kim, Professor of Philosophy, Brown University

Meaning (significance) and nature are this book's principal topics. They seem an odd couple, like raisins and numbers, though they elide when meanings of a global sort-ideologies and religions, for example-promote ontologies that subordinate nature. Setting one against the other makes reality contentious. It signifies workmates and a coal face to miners, gluons to physicists, prayer and redemption to priests. Are there many realities, or many perspectives on one? The answer I prefer is the comprehensive naturalism anticipated by Aristotle and Spinoza: "natura naturans, natura naturata." Nature naturing is an array of mutually conditioning material processes in spacetime. Each structure or event-storm clouds forming, nature natured-is self-differentiating, self-stabilizing, and sometimes self-disassembling; each alters or transforms a pre-existing state of affairs. This surmise anticipated discoveries and analyses to which neither thinker had access, though physics and biology confirm their hypothesis beyond reasonable doubt. Hence the question this book considers: Is reality divided:nature vrs. lived experience? Or is experience, with all its meanings and values, the complex expression of natural processes?