Thought's Footing is an enquiry into the relationship between the ways things are and the way we think and talk about them. It is also a study of Wittgenstein's Philosophical Investigations: Charles Travis develops his account of certain key themes into a unified view of the work as a whole. His methodological starting-point is to see Wittgenstein's work as a response to Frege's. The central question is: how does thought get its footing? How can the thought that things are a certain way be connected to things being that way? Wittgenstein departs from Frege in holding that there are indefinitely many ways of filling out (giving content to) the notion of truth.. The truth of a thought or utterance is connected with the consequences of thinking or saying it. That is the point of Wittgenstein's introduction of the notion of a language game. The second key theme is this: a representation of things as being a certain way cannot take the right form for truth-bearing without a background of agreement in judgements: its form must belong to thinkers of a given kind. The third key theme is that the proprietary perceptions of a given sort of thinker as to what would be a case of judging when there is a particular way for things to be is not subject to criticism from outside it. Along the way Travis gives his own distinctive take on such topics as the problem of singular thought, the notion of a proposition, rule-following, sense and nonsense, the possibility of private language, and the representational content of experience. The result is an original and stimulating demonstration of the continuing value of Wittgenstein's work for central debates in philosophy today.

Concentrating mainly on the process philosophy developed by Alfred North Whitehead, this series of essays brings together some of the newest developments in the application of process thinking to the physical and social sciences. These essays, by established scholars in the field, demonstrate how a wider and deeper understanding of the world can be obtained using process philosophical concepts, how the distortions and blockages inevitably inherent in substantivist talk can be set aside, and how new and fertile lines of research in the sciences can be opened as a result.

This volume brings together a range of practical and theoretical perspectives on responsibility in the context of refugee and migrant integration. Addressing one of the major challenges of our time, a diverse group of authors shares insights from history, philosophy, psychology, cultural studies, and from personal experience. The book expands our understanding of the complex challenges and opportunities that are associated with migration and integration, and highlights the important role that individuals can and should play in the process. Interview with the authors: https://youtu.be/HDkaN_PBBF8

This book is a collection of articles authored by renowed Polish ontologists living and working in the early part of the 21st century. Harking back to the well-known Polish Lvov-Warsaw School, founded by Kazimierz Twardowski, we try to make our ontological considerations as systematically rigorous and clear as possible - i.e. to the greatest extent feasible, but also no more than the subject under consideration itself allows for. Hence, the papers presented here do not seek to steer clear of methods of inquiry typical of either the formal or the natural sciences: on the contrary, they use such methods wherever possible. At the same time, despite their adherence to rigorous methods, the Polish ontologists included here do not avoid traditional ontological issues, being inspired as they most certainly are by the great masters of Western philosophy - from Plato and Aristotle, through St. Thomas and Leibniz, to Husserl, to name arguably just the most important.

First published in 2007. Routledge is an imprint of Taylor & Francis, an informa company.

Discussion of Wittgenstein's Tractatus is currently dominated by two opposing interpretations of the work: a metaphysical or realist reading and the 'resolute' reading of Diamond and Conant. Marie McGinn's principal aim in this book is to develop an alternative interpretative line, which rejects the idea, central to the metaphysical reading, that Wittgenstein sets out to ground the logic of our language in features of an independently constituted reality, but which allows that he aims to provide positive philosophical insights into how language functions. McGinn takes as a guiding principle the idea that we should see Wittgenstein's early work as an attempt to eschew philosophical theory and to allow language itself to reveal how it functions. By this account, the aim of the work is to elucidate what language itself makes clear, namely, what is essential to its capacity to express thoughts that are true or false. However, the early Wittgenstein undertakes this descriptive project in the grip of a set of preconceptions concerning the essence of language that determine both how he conceives the problem and the approach he takes to the task of clarification. Nevertheless, the Tractatus contains philosophical insights, achieved despite his early preconceptions, that form the foundation of his later philosophy. The anti-metaphysical interpretation that is presented includes a novel reading of the problematic opening sections of the Tractatus, in which the apparently metaphysical status of Wittgenstein's remarks is shown to be an illusion. The book includes a discussion of the philosophical background to the Tractatus, a comprehensive interpretation of Wittgenstein's early views of logic and language, and an interpretation of the remarks on solipsism. The final chapter is a discussion of the relation between the early and the later philosophy that articulates the fundamental shift in Wittgenstein's approach to the task of understanding how language functions and reveal the still more fundamental continuity in his conception of his philosophical task.

Wittgenstein's later writings generate a great deal of controversy and debate, as do the implications of his ideas for such topics as consciousness, knowledge, language and the arts. Oswald Hanfling addresses a widespeard tendency to ascribe to Wittgenstein views that go beyond those he actually held. Separate chapters deal with important topics such as the private language argument, rule-following, the problem of other minds, and the ascription of scepticism to Wittgenstein. Describing Wittgenstein as a 'humanist' thinker, he contrasts his views on language, art humanity and philosophy itself with those of scientifically minded philosophers. He argues that 'the human form of life' calls for a kind of understanding that cfannot be achieved by the methods of emirical science; that consiousness, for example, cannot properly be regarded as a property of the bran; and that the resulting 'problem of consoiusness is an illusion. Wittgenstein and the Human Form of Life is essential reading for anyone interested in Wittgenstein's approach to what it means to be human. It will be invaluable to all Wittgenstein scholars, and all who are interested in the philosophy of mind, language and aesthetics.

Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.

The traditional and lively interest in Meinong s philosophy and related topics among Italian philosophers gives rise to this volume of MEINONG STUDIES. As more than an introduction, Venanzio Raspa presents an enlightening historical presentation of Meinong s reception in Italy from his lifetime to the present day. Riccardo Martinelli offers a reconstruction of the Meinongian theory of musical objects of higher order. Francesca Modenato gives the outlines of Meinong s object theory as a theory of the pure object, separating it from ontology and associating it rather with gnoseology. From a less historical than systematic-analytic perspective, Andrea Bottani deals with incomplete objects, Mario Alai investigates the problem of propositions concerning non-existent objects, and Carola Barbero proposes a realistic theory of the emotions aroused by reading literary texts. As themes related to Meinongian ones, Alberto Voltolini discusses the concept of existence as a property, Francesco Orilia validates an intuition of Meinong by adopting an approach called 'fact infinitism', and Guido Bonino deals with Gustav Bergmann s interpretation of Meinong s ontology. Das traditionelle und lebhafte Interesse italienischer Philosophen an Meinongs Philosophie und damit zusammenhangenden Themen gibt Anlass fur diesen Band der MEINONG STUDIEN. Weit uber die Anforderungen an ein Eineitung hinausgehend, prasentiert Venanzio Raspa eine erhellende Studie der Rezeption Meinongs in Italien von seinen Lebzeiten bis zum heutigen Tag. Riccardo Martinelli rekonstruiert Meinongs Theorie musikalischer Objekte hoherer Ordnung und Francesca Modenato umreisst Meinongs Objekttheorie (als Theorie reiner Objekte), welche sie eher der Gnoseologie denn der Ontologie zuordnet. Aus einer weniger historischen als systematisch-analytischen Perspektive befassen sich Andrea Bottani mit unvollstandigen Objekten, Mario Alai mit der Frage nicht-existierende Objekte betreffender Aussagen, und Carola Barbero prasentiert eine realistische Theorie von Emotionen, die durch die Lekture literarischer Texte erweckt werden. Als Meinong-bezogene Themen diskutiert Alberto Voltolini den Begriff der Existenz als Eigenschaft, Francesco Orilia bestatigt in seinem 'Fakteninfinitismus' genannten Zugang eine Meinongsche Intuition, und Guido Bonino befasst sich mit Gustav Bergmanns Interpretation der Meinongschen Ontologie."

This volume brings Cassirer's work into the arena of contemporary debates both within and outside of philosophy. All articles offer a fresh and contemporary look at one of the most prolific and important philosophers of the 20th century. The papers are authored by a wide array of scholars working in different areas, such as epistemology, philosophy of culture, sociology, psychopathology, philosophy of science and aesthetics.

This book presents a unique rethinking of G. W. F. Hegel's philosophy from unusual and controversial perspectives in order to liberate new energies from his philosophy. The role Hegel ascribes to women in the shaping of society and family, the reconstruction of his anthropological and psychological perspective, his approach to human nature, the relationship between mental illness and social disease, the role of the unconscious, and the relevance of intercultural and interreligious pathways: All these themes reveal new and inspiring aspects of Hegel's thought for our time.

Wittgenstein's thought is reflected in his reading and reception of other authors. Wittgenstein Reading approaches the moment of literature as a vehicle of self-reflection for Wittgenstein. What sounds, on the surface, like criticism (e.g. of Shakespeare) can equally be understood as a simple registration of Wittgenstein's own reaction, hence a piece of self-diagnosis or self-analysis. The book brings a representative sample of authors, from Shakespeare, Goethe, or Dostoyevsky to some that have received far less attention in Wittgenstein scholarship like Kleist, Lessing, or Wilhelm Busch and Johann Nepomuk Nestroy. Furthermore, the volume offers means for the cultural contextualization of Wittgenstein's thoughts. Unique to this book is its internal design. The editors' introduction sets the scene with regards to both biography and theory, while each of the subsequent chapters takes a quotation from Wittgenstein on a particular author as its point of departure for developing a more specific theme relating to the writer in question. This format serves to avoid the well-trodden paths of discussions on the relationship between philosophy and literature, allowing for unconventional observations to be made. Furthermore, the volume offers means for the cultural contextualization of Wittgenstein's thoughts.

"In 12 excellent essays by scholars East and West, this collection explores the many dimensions of Heidegger's relation to Eastern thinking.... Because of the quality of the contributions, the eminence of the many contributors... this volume must be considered an indispensable reference on the subject. Highly recommended." --Choice.

Oxford Studies in Early Modern Philosophy is an annual series, presenting a selection of the best current work in the history of early modern philosophy. It focuses on the seventeenth and eighteenth centuries--the extraordinary period of intellectual flourishing that begins, very roughly, with Descartes and his contemporaries and ends with Kant. It also publishes papers on thinkers or movements outside of that framework, provided they are important in illuminating early modern thought.
The articles in OSEMP will be of importance to specialists within the discipline, but the editors also intend that they should appeal to a larger audience of philosophers, intellectual historians, and others who are interested in the development of modern thought.

While there are publications on Wittgenstein's interest in Dostoevsky's novels and the recurring mentions of Wittgenstein in Sebald's works, there has been no systematic scholarship on the relation between perception (such as showing and pictures) and the problem of an adequate presentation of interiority (such as intentions or pain) for these three thinkers.This relation is important in Wittgenstein's treatment of the subject and in his private language argument, but it is also an often overlooked motif in both Dostoevsky's and Sebald's works. Dostoevsky's depiction of mindset discrepancies in a rapidly modernizing Russia can be analyzed interms of multi-aspectivity. The theatricality of his characters demonstrates especially well Wittgenstein's account of interiority's interrelatedness with overt public practices and codes. In Sebald's Austerlitz, Wittgenstein's notion of family resemblances is an aesthetic strategy within the novel. Visual tropes are most obviously present in Sebald's use of photography, and can partially be read as an ethical-aesthetic imperative of rendering pain visible. Tea Lobo's book contributes towards a non-Cartesian account of literary presentations of inner life based on Wittgenstein's thought.

This collection on the Standard of Taste offers a much needed resource for students and scholars of philosophical aesthetics, political reflection, value and judgments, economics, and art. The authors include experts in the philosophy of art, aesthetics, history of philosophy as well as the history of science. This much needed volume on David Hume will enrich scholars across all levels of university study and research.

How should we deal with mental disorder - as an "illness" like diabetes or bronchitis, as a "problem in living", or what? This book seeks to answer such questions by going to their roots, in philosophical questions about the nature of the human mind, the ways in which it can be understood, and about the nature and aims of scientific medicine. The controversy over the nature of mental disorder and the appropriateness of the "medical model" is not just an abstract theoretical debate: it has a bearing on very practical issues of appropriate treatment, as well as on psychiatric ethics and law. A major contention of this book is that these questions are ultimately philosophical in character: they can be resolved only if we abandon some widespread philosophical assumptions about the "mind" and the "body", and about what it means for medicine to be "scientific". The "phenomenological" approach of the twentieth-century French philosopher, Maurice Merleau-Ponty is used to question these assumptions. His conception of human beings as "body-subjects" is argued to provide a more illuminating way of thinking about mental disorder and the ways in which it can be understood and treated. The conditions we conventionally call "mental disorders" are, it is argued, not a homogeneous group: the standard interpretation of the medical model fits some more readily than others. The core mental disorders, however, are best regarded as disturbed ways of being in the world, which cause unhappiness because of deviation from "human" rather than straightforwardly "biological" norms. That is, they are problems in how we experience the world and especially other people, rather than in physiological functioning - even though the nature of our experience cannot ultimately be separated from the ways in which our bodies function. This analysis is applied within the book both to issues in clinical treatment and to the special ethical and legal questions of psychiatry. Written by a well known philosopher in an accessible and clear style, this book should be of interest to a wide range of readers, from psychiatrists to social workers, lawyers, ethicists, philosophers and anyone with an interest in mental health.

Occasional Paper No. 44 of the Royal Anthropological Institute Published in association with the Anglo-Finnish Society Westermarck was a remarkable man, but one who has received little credit for the significant part he played in the creation of modern anthropology. He spanned two worlds: the comparative anthropological endeavours of the nineteenth century, and the establishment of social anthropology at the LSE, in which he played a major role. One of Malinowski's principal teachers, he was himself an outstanding fieldworker. His work on Morocco has, even today, hardly been surpassed. Yet, his theories on the nature of human marriage and the origins of the incest taboo place him firmly in the earlier, generalist camp, and the controversies to which they have given rise have hardly settled down to this day. In this volume, Westermarck's place in anthropology is discussed, along with detailed descriptions of his very active academic life in Finland and in Britain, whilst other chapters consider his equally pioneering writings in morals and ethics. Westermarck's own writings are featured by way of illustration of his ideas, including his LSE inaugural lecture, his Huxley lecture, and a hitherto unpublished paper on ritual and survivals. This volume shows, indeed, that Westermarck is a 'missing link' in today's history of anthropology, and our understanding of that history will be profoundly changed by a better appreciation of his role within it.

Philosophical work on the mind flowed in two streams through the 20th century: phenomenology and analytic philosophy. The phenomenological tradition began with Brentano and was developed by such great European philosophers as Husserl, Heidegger, Sartre, and Merleau-Ponty. As the century advanced, Anglophone philosophers increasingly developed their own distinct styles and methods of studying the mind, and a gulf seemed to open up between the two traditions. This volume aims to bring them together again, by demonstrating how work in phenomenology may lead to significant progress on problems central to current analytic research, and how analytical philosophy of mind may shed light on phenomenological concerns. Leading figures from both traditions contribute specially written essays on such central topics as consciousness, intentionality, perception, action, self-knowledge, temporal awareness, and mental content. Phenomenology and Philosophy of Mind demonstrates that these different approaches to the mind should not stand in opposition to each other, but can be mutually illuminating.

This volume presents different conceptions of logic and mathematics and discuss their philosophical foundations and consequences. This concerns first of all topics of Wittgenstein's ideas on logic and mathematics; questions about the structural complexity of propositions; the more recent debate about Neo-Logicism and Neo-Fregeanism; the comparison and translatability of different logics; the foundations of mathematics: intuitionism, mathematical realism, and formalism. The contributing authors are Matthias Baaz, Francesco Berto, Jean-Yves Beziau, Elena Dragalina-Chernya, Gunther Eder, Susan Edwards-McKie, Oliver Feldmann, Juliet Floyd, Norbert Gratzl, Richard Heinrich, Janusz Kaczmarek, Wolfgang Kienzler, Timm Lampert, Itala Maria Loffredo D'Ottaviano, Paolo Mancosu, Matthieu Marion, Felix Muhlhoelzer, Charles Parsons, Edi Pavlovic, Christoph Pfisterer, Michael Potter, Richard Raatzsch, Esther Ramharter, Stefan Riegelnik, Gabriel Sandu, Georg Schiemer, Gerhard Schurz, Dana Scott, Stewart Shapiro, Karl Sigmund, William W. Tait, Mark van Atten, Maria van der Schaar, Vladimir Vasyukov, Jan von Plato, Jan Wolenski and Richard Zach.