This book focuses on the inequities that are persistently and disproportionately severe for Indigenous peoples. Gender and racial based inequities span from the home life to Indigenous women's wellness-including physical, mental, and social health. The conundrum of how and why Indigenous women-many of whom historically held respected and even held sacred status in many matrilineal and female-centered communities-now experience the highest rates of gendered based violence is focal to this work. Unlike Western European and colonial contexts, Indigenous societies tended to be organized in fundamentally distinct ways that were woman-centered and where gender roles and values were reportedly more egalitarian, fluid, flexible, inclusive, complementary, and harmonious. Understanding how Indigenous gender relations were targeted as a tool of patriarchal settler colonization and how this relates to women more broadly can be a key to unlocking gender liberation-a catalyst for readers to become 'gender AWAke.' Living gender AWAke encompasses living in alignment with agility (AWA) with clear awareness of how gender and other sociostructural factors affect daily life, as well as how to navigate such factors. To live in alignment, is to live from ones' center and in accordance with one's authentic self, with agility, by nimbly responding to life's constantly shifting situations. This empirically grounded work extends and deepens the Indigenist framework of historical oppression, resilience, and transcendence (FHORT) by delving deep into the resilience, transcendence, and wellness components of FHORT while centering gender. Understanding the changing gender roles for Indigenous peoples over time fosters decolonization more broadly by enabling greater understanding of how sexism and misogyny hurt people across personal and political spheres. This understanding can foster the process of becoming gender AWAke by identifying and dismantling of sexism and by becoming decolonized from prescriptive gender roles that inhibit living in alignment with one's true or authentic self. Readers will gain: a research-based approach linking historical oppression, gender-based inequities, and violence against Indigenous women understanding of how patriarchal colonialism undermines all genders a tool to dismantle sexism more broadly pathways to become Gender AWAke through the understanding of Indigenous women's resilience and transcendence

This book focuses on promoting health equity and addressing health disparities among Indigenous peoples of the United States (U.S.) and associated Territories in the Pacific Islands and Caribbean. It provides an overview of the current state of health equity across social, physical, and mental health domains to provide a preliminary understanding of the state of Indigenous health equity. Part 1 of the book traces the promotive, protective, and risk factors related to Indigenous health equity. Part 2 reports promising pathways to achieving and transcending health equity through the description of interventions that address and promote wellness related to key outcomes. The chapters in this book were originally published as a special issue of the Journal of Ethnic & Cultural Diversity in Social Work.

The debut monograph of Stacey Gillian Abe’s work is created to accompany her first London solo show at Unit London. Featuring works spanning her career to date, the book explores the key themes from Abe’s work and delves deep into her expressive and symbolic indigo portraits. Shrub-let of Old Ayivu includes insightful written contributions from Flavia Frigeri, art historian, lecturer and the Chanel Curator at the National Portrait Gallery and Serubiri Moses, renowned writer and curator, alongside a conversation between the artist and Catherine McKinley, curator and author of the critically acclaimed Indigo: In Search of the Color that Seduced the World and The Book of Sarahs: A Family in Parts. Abe’s work reflects her past and her memories, highlighting her personal experiences and her relationships to her community. Renowned for her indigo skin-tone paintings, the colour has become crucial in reshaping narratives surrounding the black body.

An unprecedented visual history of African women told in striking and subversive historical photographs--featuring an Introduction by Edwidge Danticat and a Foreword by Jacqueline Woodson.

Most of us grew up with images of African women that were purely anthropological--bright displays of exotica where the deeper personhood seemed tucked away. Or they were chronicles of war and poverty--"poverty porn." But now, curator Catherine E. McKinley draws on her extensive collection of historical and contemporary photos to present a visual history spanning a hundred-year arc (1870-1970) of what is among the earliest photography on the continent. These images tell a different story of African women: how deeply cosmopolitan and modern they are in their style; how they were able to reclaim the tools of the colonial oppression that threatened their selfhood and livelihoods.

Featuring works by celebrated African masters, African studios of local legend, and anonymous artists, The African Lookbook captures the dignity, playfulness, austerity, grandeur, and fantasy-making of African women across centuries. McKinley also features photos by Europeans--most starkly, striking nudes--revealing the relationships between white men and the Black female sitters where, at best, a grave power imbalance lies. It's a bittersweet truth that when there is exploitation there can also be profound resistance expressed in unexpected ways--even if it's only in gazing back. These photos tell the story of how the sewing machine and the camera became powerful tools for women's self-expression, revealing a truly glorious display of everyday beauty.

Destined to become a classic in the tradition of the best-selling Black-Eyed Susans/Midnight Birds and Erotique Noire/ Black Erotica. Afrekete gives collective voice to the tradition of black lesbian writing. In the vast and proliferating area of both African-American and lesbian and gay writing, the work of black lesbians is most often excluded or relegated to the margins. Afrekete meshes these seemingly disparate traditions and celebrates black lesbian experiences in all their variety and depth.

Elegant, timely, provocative, and inspiring, the fiction, poetry, and nonfiction in Afrekete -- written in a range of styles -- engage a variety of highly topical themes, placing them at the center of literary and social discourse. Beginning with "Tar Beach," an excerpt from Audre Lorde's celebrated memoir Zami: A New Spelling of My Name, which introduces the character Afrekete, the collection also includes such prominent writers as Michelle Cliff, Carolivia Herron, Jewelle Gomez, and Alexis De Veaux. Other pieces are by Jacqueline Woodson, Sapphire, Essence editor Linda Villarosa, and filmmaker Michelle Parkerson, with other contributions by exciting new writers Cynthia Bond, Jocelyn Taylor, Jamika Ajalon, and Sharee Nash.

Afrekete is a collection whose time has come. It is an extraordinary work, one of lasting value for all lovers of literature. A fresh, engaging journey, Afrekete will both inform and delight.