The coronation of George VI on 12 May 1937 was one of the biggest media events of the interwar period. While other photographers focused on the new King, his family and the ceremonial splendour of the day, Henri Cartier-Bresson turned his lens on the crowds that gathered in the streets of London to watch the pageantry. In a witty reversal of the expected order of proceedings, he shows us ordinary people of all ages and walks of life, some climbing on monuments or each other’s shoulders, others straining to get a better view with cardboard periscopes and mirrors on sticks. A few even slump on the ground, the festivities having proved too much. Presented alongside contemporary news clippings from around the world, these remarkable images reflect Cartier-Bresson’s unmistakeable photographic eye and capture the British public at a unique historical moment.

From award-winning author Benjamin Dean comes a deliciously dark and addictive YA thriller following the lives of Gen Z’s rich and famous through the lens of an undercover teen journalist. Perfect for fans of A Good Girl's Guide to Murder and One of Us is Lying.  'This [book] has "Netflix adaptation" written all over it.' The Bookseller   London-born Abel has landed the role of a lifetime for an upcoming blockbuster. On the face of it he’s Hollywood’s latest teen star, but below the surface he’s an undercover journalist on a mission to expose the ‘squeaky clean’ entertainment industry and the part they played in his brother’s ‘accidental’ death. As Abel steps into the spotlight alongside fellow actors Lucky, Ryan and Ella, he soon discovers that beneath the glittering surface of fame and riches lies a darker world of secrecy, scandal and murder. Nobody is who they seem when the cameras are off, and everybody has something to hide. But who’s next in line to die famous?    Drawing on his previous career as a celebrity journalist, Benjamin Dean examines the dark underbelly of showbiz, leaving no stone unturned. PRAISE FOR BENJAMIN DEAN’S THE KING IS DEAD: ‘Benjamin Dean has written a royal triumph.’ Juno Dawson, author of Clean ‘All hail this exquisitely twisty, delightfully queer mystery.’ Chelsea Pitcher, author of This Lie Will Kill You ‘A compelling thriller that stays with you long after you’ve finished reading.’ Kathryn Foxfield, author of Good Girls Die First   ‘More jaw-dropping, OMG-twists than even the most salacious tabloid journalist could create.’ Erik J. Brown, author of All That's Left in the World   ‘One page-burning scandal after another. Benjamin Dean is YA royalty.’ Femi Fadugba, author of The Upper World ‘Addictive, compelling, and utterly delicious.’ Simon James Green, author of Noah Can’t Even

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.